Thirteen prominent American men and women are briefly profiled in this collection. Chronologically ranging from Thomas Jefferson to Barack Obama, each entry features an inspiring quote from its subject and a concise explanation of his or her context in history. Opposite each page of text is a watercolor painting by the author depicting an image or montage of the notable individual and illustrating the work they achieved or how they lived. Each one evokes the emotions the book is meant to inspire: courage, strength and determination. Franklin Roosevelt gazes reassuringly out at readers above a line of hungry people at a soup kitchen; Rachel Carson smiles at readers against a picture of a soaring bald eagle and an inset of her peering into a microscope. The selection includes four women and five male ethnic minorities. Almost all are familiar faces in collective biographies, including Abraham Lincoln, Dr. Martin Luther King Jr. and Rosa Parks, but some names may be new to young readers, such as Emma Lazarus and Cesar Chavez. Included in the backmatter are thumbnail biographies of each figure and a list of source notes. The profiles are indeed inspiring, and younger readers will likely learn something new. For deeper research, students will have to look elsewhere but could use this book as an excellent starting point. (Collective biography. 8-11)
Pub Date: March 1, 2011
ISBN: 978-0-8225-6810-0
Page Count: 32
Publisher: Millbrook
Review Posted Online: Jan. 25, 2011
Kirkus Reviews Issue: Feb. 1, 2011
Fans of Terry Deary and Martin Brown’s Horrible Histories and their ilk are unlikely to consider this latest imitation more than an also-ran. Oliver surveys British history from the Isles’ Ice Age formation to the not-exactly-hot-off-the-presses 2005 news that London will host the 2012 Olympics. Though accurate enough in his broad picture, the author’s debatable facts (“…the Romans introduced really useful things such as toilets and even vegetables to the people of Britain”) and awkwardly written generalizations (“The Celtic kings consulted religious advisors to help them rule, known as druids”) drag the bland text down even further. Pinder's pen-and-ink illustrations attempt snark but too often fall flat: “That girl was always getting in my way,” remarks Bloody Mary as Lady Jane Grey’s newly severed head bounces by. This catalog of major British kings, queens, wars, pivotal events and cultural milestones is unlikely to entertain—much less resonate with—American audiences. (index, royal timeline) (Nonfiction. 8-11)
Pub Date: Dec. 1, 2010
ISBN: 978-1-906082-72-7
Page Count: 128
Publisher: Buster/Trafalgar
Review Posted Online: Oct. 11, 2010
Kirkus Reviews Issue: Nov. 1, 2010
BOOK REVIEW
BOOK REVIEW
At its best when the emphasis is on the skill and artistry of Mime’s most accomplished practitioner—alas, too much of the...
The legendary mime is introduced to a new generation, though not entirely successfully.
As a child, Marceau loved to silently entertain his friends, like his idol, Charlie Chaplin. During the Nazi occupation of France, Marcel and his brother took on new identities in the French Underground, where they forged documents for Jewish children and helped many to escape to Switzerland. Spielman assumes that her young audience will understand references to deportation and concentration camps; unfortunately for those that don't, her matter-of-fact tone speaks more of adventure than deadly peril. Her tone subtly changes when she lovingly describes Marceau’s training and development as a mime and his stage persona of Bip the clown, admiring his skills in the “art of silence” that won him international renown. But here too, comparisons to the Little Tramp and Pierrot may be outside readers’ frame of reference. Though the illustrations carefully complement the textual content with period details, Gauthier’s cartoon faces are all nearly identical, with only the screen image of Chaplin and Marceau’s Bip having distinctive features. A double-page spread at the conclusion provides photographs of Bip in action and is the only clear indication of Marceau’s stagecraft.
At its best when the emphasis is on the skill and artistry of Mime’s most accomplished practitioner—alas, too much of the book looks elsewhere. (Picture book/biography. 8-10)Pub Date: Sept. 1, 2011
ISBN: 978-0-7613-3961-8
Page Count: 32
Publisher: Kar-Ben
Review Posted Online: April 5, 2011
Kirkus Reviews Issue: Aug. 15, 2011
BOOK REVIEW
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