Brazilian novelist Pi§on, in her second novel (The Republic of Dreams, 1989) to appear in English, describes a leisurely paced encounter between illusion and reality in a Brazilian backwater in thrall to its dreams. When a letter arrives announcing the return of Caetana, a beautiful circus-star and actress, the small town of Trindade is caught up in a frenzy of anticipation. For 20 years the townspeople, who have survived by feeding on ``the bread of lies, the one warmth that fights off loneliness,'' have dreamt of such a day. Polidoro, the rich cattle-baron, has endured his wife's recriminations by remembering the great love affair he had with Caetana; Giaconda, owner of the local brothel, has similarly been helped by memories of Caetana's friendship; and the lonely misfits, like historian Virgilio, and the ``Three Graces''—the aging prostitutes of the brothel—have found a vicarious pleasure in imagining the happiness that Caetana's return will bring. Caetana, who has nurtured her own dreams, duly arrives, but reality turns out to be thin stuff. Refusing to resume their love affair, Caetana asks only that Polidoro build a theater for her so that she can give a performance to rival that of Maria Callas. The long-awaited performance is a fiasco, shattering everyone's dreams and illusions—but only briefly. For though Caetana leaves abruptly, she promises to come back in another 20 years—``Life to her was suitable only for the stage. Outside this domain everything seemed false''—and the town settles down once more to wait for ``the train of happiness to pull in.'' An insightful meditation on myth and reality, with all the ennui of provincial life vividly evoked, and marred only by the occasional repetitiveness in the telling. But a welcome addition to the Latin American canon.
Pub Date: May 3, 1992
ISBN: 0-394-58997-1
Page Count: 400
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 1992
BOOK REVIEW
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
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