by Nell Irvin Painter ‧ RELEASE DATE: March 15, 2010
Sure to interest students of ethnic relations, history and anthropology, with pointed examples for daily living in this...
A provocative look at the white race—or, more accurately, the white races—by noted African-American scholar Painter (Creating Black Americans: African-American History and its Meanings, 1619 to the Present, 2005, etc.).
The notion of race is illusory and elusive, yet it has been a topic on the minds of many people since…well, mostly not that long ago, though the author traces the encounters of African, Greek, Scythian and Celt far into the past, sometimes getting a little out of her element. It is not quite accurate, for instance, to say of the Celtic tribes that we “cannot know what those people called themselves,” for their names are plentiful, and words such as xanthos suggest that the Greeks were well aware of “color” differences among people. Still, Painter makes the useful point that constructions of race and whiteness, though drawing on distant roots and ancient tropes of enslaver and enslaved, are relatively recent developments. Also, she notes that, during the last few centuries, there have been visible notions of degrees of whiteness—with Irish immigrants, for example, excluded from membership in white America—as well as a concept of expanding whiteness—those Irish were eventually admitted to the ranks once the Eastern Europeans came along. There are even different types of whiteness. Ralph Waldo Emerson, writes the author, pondered regional differences with respect to his fellow Northerners, “a smarter but weaker ‘race’ than southerners.” Occasionally Painter’s argument relies on mere assertion: “White race chauvinists are loath to admit that brown-skinned people speak the English language fluently.” At such turns, an example or two would help. Nonetheless, the author, who has devoured shelves of books in the American history stacks, makes a significant point. Though we have mapped the human genome and discovered how closely related all the peoples of Earth are, “the fundamental black white binary endures, even though the category of whiteness—or might we say more precisely, a category of nonblackness—effectively expands.”
Sure to interest students of ethnic relations, history and anthropology, with pointed examples for daily living in this multicultural, multiethnic land.Pub Date: March 15, 2010
ISBN: 978-0-393-04934-3
Page Count: 448
Publisher: Norton
Review Posted Online: Feb. 4, 2011
Kirkus Reviews Issue: Jan. 15, 2010
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
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by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
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