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JUST THE FUNNY PARTS

...AND A FEW HARD TRUTHS ABOUT SNEAKING INTO THE HOLLYWOOD BOYS’ CLUB

A breezy, affably written amalgam of memoir, advice, and workplace survival guide from the front lines of the entertainment...

A TV writer reflects on carving out a career in male-dominated Hollywood.

Scovell, a veteran writer, producer, director, and show creator, minces few words when skewering the toxic atmosphere for female talent in Hollywood. In her frank memoir, the author, who collaborated with Sheryl Sandberg on Lean In, escorts readers through the beginnings of her career writing for SPY magazine in the 1980s while unpacking the emotional baggage of two botched marriages. At 26, she spontaneously flew from New York to Los Angeles to meet with an executive producer only to be placed in the first of many competitive, sexist, “penis party” writing teams, learning one industry lesson after another. A talent for comedic timing and impressive spec scriptwriting ushered Scovell into the writers’ meetings of some of TV’s top programs over a career that now spans over three decades. She reflects on the mixed success of scriptwriting for an impressive array of popular programs, including The Simpsons, Coach, and Murphy Brown. She also created and produced Sabrina the Teenage Witch and Charmed and even wrote jokes for Barack Obama and Hillary Clinton. “The ratio of fun versus not fun varies from show to show,” she acknowledges, commenting that “the people, the process, and the product” are the determining factors. As Scovell’s career matured and her confidence bloomed, so did her role as a wife and mother of two. Her fearlessness was clearly evidenced when the David Letterman sex scandal broke and the author made a controversial and risky career move by speaking out about a marked lack of gender diversity in the late-night TV arena. Photographs, newspaper mentions, and script clips further illuminate the author’s rise to prominence. While arguing that the industry still has a long way to go “in changing its casual acceptance of inappropriate behavior,” Scovell counts herself among the many who have made successful careers in show writing and creative collaboration.

A breezy, affably written amalgam of memoir, advice, and workplace survival guide from the front lines of the entertainment industry.

Pub Date: March 20, 2018

ISBN: 978-0-06-247348-6

Page Count: 336

Publisher: Dey Street/HarperCollins

Review Posted Online: Jan. 10, 2018

Kirkus Reviews Issue: Feb. 1, 2018

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THE PURSUIT OF HAPPYNESS

FROM MEAN STREETS TO WALL STREET

Well-told and admonitory.

Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.

Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.

Well-told and admonitory.

Pub Date: June 1, 2006

ISBN: 0-06-074486-3

Page Count: 320

Publisher: Amistad/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2006

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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