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JUST THE FUNNY PARTS

...AND A FEW HARD TRUTHS ABOUT SNEAKING INTO THE HOLLYWOOD BOYS’ CLUB

A breezy, affably written amalgam of memoir, advice, and workplace survival guide from the front lines of the entertainment...

A TV writer reflects on carving out a career in male-dominated Hollywood.

Scovell, a veteran writer, producer, director, and show creator, minces few words when skewering the toxic atmosphere for female talent in Hollywood. In her frank memoir, the author, who collaborated with Sheryl Sandberg on Lean In, escorts readers through the beginnings of her career writing for SPY magazine in the 1980s while unpacking the emotional baggage of two botched marriages. At 26, she spontaneously flew from New York to Los Angeles to meet with an executive producer only to be placed in the first of many competitive, sexist, “penis party” writing teams, learning one industry lesson after another. A talent for comedic timing and impressive spec scriptwriting ushered Scovell into the writers’ meetings of some of TV’s top programs over a career that now spans over three decades. She reflects on the mixed success of scriptwriting for an impressive array of popular programs, including The Simpsons, Coach, and Murphy Brown. She also created and produced Sabrina the Teenage Witch and Charmed and even wrote jokes for Barack Obama and Hillary Clinton. “The ratio of fun versus not fun varies from show to show,” she acknowledges, commenting that “the people, the process, and the product” are the determining factors. As Scovell’s career matured and her confidence bloomed, so did her role as a wife and mother of two. Her fearlessness was clearly evidenced when the David Letterman sex scandal broke and the author made a controversial and risky career move by speaking out about a marked lack of gender diversity in the late-night TV arena. Photographs, newspaper mentions, and script clips further illuminate the author’s rise to prominence. While arguing that the industry still has a long way to go “in changing its casual acceptance of inappropriate behavior,” Scovell counts herself among the many who have made successful careers in show writing and creative collaboration.

A breezy, affably written amalgam of memoir, advice, and workplace survival guide from the front lines of the entertainment industry.

Pub Date: March 20, 2018

ISBN: 978-0-06-247348-6

Page Count: 336

Publisher: Dey Street/HarperCollins

Review Posted Online: Jan. 10, 2018

Kirkus Reviews Issue: Feb. 1, 2018

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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GENGHIS KHAN AND THE MAKING OF THE MODERN WORLD

A horde-pleaser, well-written and full of surprises.

“The Mongols swept across the globe as conquerors,” writes the appreciative pop anthropologist-historian Weatherford (The History of Money, 1997, etc.), “but also as civilization’s unrivaled cultural carriers.”

No business-secrets fluffery here, though Weatherford does credit Genghis Khan and company for seeking “not merely to conquer the world but to impose a global order based on free trade, a single international law, and a universal alphabet with which to write all the languages of the world.” Not that the world was necessarily appreciative: the Mongols were renowned for, well, intemperance in war and peace, even if Weatherford does go rather lightly on the atrocities-and-butchery front. Instead, he accentuates the positive changes the Mongols, led by a visionary Genghis Khan, brought to the vast territories they conquered, if ever so briefly: the use of carpets, noodles, tea, playing cards, lemons, carrots, fabrics, and even a few words, including the cheer hurray. (Oh, yes, and flame throwers, too.) Why, then, has history remembered Genghis and his comrades so ungenerously? Whereas Geoffrey Chaucer considered him “so excellent a lord in all things,” Genghis is a byword for all that is savage and terrible; the word “Mongol” figures, thanks to the pseudoscientific racism of the 19th century, as the root of “mongoloid,” a condition attributed to genetic throwbacks to seed sown by Mongol invaders during their decades of ravaging Europe. (Bad science, that, but Dr. Down’s son himself argued that imbeciles “derived from an earlier form of the Mongol stock and should be considered more ‘pre-human, rather than human.’ ”) Weatherford’s lively analysis restores the Mongols’ reputation, and it takes some wonderful learned detours—into, for instance, the history of the so-called Secret History of the Mongols, which the Nazis raced to translate in the hope that it would help them conquer Russia, as only the Mongols had succeeded in doing.

A horde-pleaser, well-written and full of surprises.

Pub Date: March 2, 2004

ISBN: 0-609-61062-7

Page Count: 320

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2003

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