A 15th-century ghost describes falling in love with an oblivious George Sand during her family’s stay in Mallorca in this lyrical debut novel.
Blanca died at the age of 14 in 1473 and has been haunting the Charterhouse, a once-bustling monastery in Valldemossa, ever since. She’s never encountered a fellow ghost and has spent the past 365 years silently observing the living. She’s discovered things about herself since passing on—she’s attracted to women as well as men, and her spectral powers include the ability to explore people’s memories and gaze into their futures—but has also found her afterlife growing smaller and smaller in scope as time wears on. The monks Blanca used to torment with poltergeistlike antics are long gone, and Blanca’s last living direct relative, a “multiple-times-great granddaughter,” is on death’s door when, out of the blue, new tenants arrive at the Charterhouse: French writer George Sand; Polish composer Frédéric Chopin, her lover; her two children; and a servant girl. Sand’s masculine gender expression immediately draws Blanca’s fascination even as it alarms the locals, who are already wary of foreigners and Chopin’s obvious ill health. Stevens’ prose is by turns languid and visceral—she manages to capture both the alienation from the normal passage of time that comes with a lonely eternal life and the profound longing for and appreciation of the sensory that comes with lacking a physical body.
An entrancing and singular exploration of a fascinating historical footnote and a queer life after death.