Proof that experimental fiction can be fun.
Early work by the acclaimed author of Nicotine (2016), Mislaid (2015), and Wallcreeper (2014).
“It having become apparent that I should write a novel, my next concern became which novel I should write. An obvious choice was Avner Shats’ recent debut, Sailing Toward the Sunset.” Thus begins Sailing Toward the Sunset by Avner Shats, which comprises the first half of this idiosyncratic (obviously) book. There’s an explanatory (sort of) foreword by the aforementioned Shats, and something like an account of how this peculiar work came to be is proffered by the narrator. Here’s the idea: an admirer of Zink’s writing, Shats encouraged her to write a novel. She responded by sending him her translation of his own novel—a chapter each day—during the month of December 1998. Zink (or the first-person narrator who may or may not be the author) is undaunted by the fact that she can’t read Hebrew (the language in which Shats wrote his novel), and she gets going by questioning the very concept of translation. What is ostensibly an English edition of a story about an Israeli spy turns, before it begins, into autobiography (or faux autobiography), a critique of trends in contemporary “literary” fiction, a consideration of the epistolary novel, and a short story interlude—and that’s just the first four chapters. “European Story for Avner Shats”—which makes up the second part of Private Novelist—is (or so we are told) a writing exercise inspired by prompts provided by Shats. It begins with the following declaration: “This story will be composed in bad English.” Zink earned critical acclaim with her debut, The Wallcreeper, and she made the National Book Award longlist with Mislaid (2015). Private Novelist would never have been published without those successes (no less a personage than Jonathan Franzen tried, and failed, to sell the manuscript). This is not an indictment. Readers who enjoy smart, playful postmodernism will be glad that Private Novelist has finally been made public.
Proof that experimental fiction can be fun.Pub Date: Oct. 4, 2016
ISBN: 978-0-062-45830-8
Page Count: 336
Publisher: Ecco/HarperCollins
Review Posted Online: July 19, 2016
Kirkus Reviews Issue: Aug. 1, 2016
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...
Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.
Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: he’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.Pub Date: Nov. 22, 2016
ISBN: 978-0-451-49344-6
Page Count: 304
Publisher: Knopf
Review Posted Online: Sept. 6, 2016
Kirkus Reviews Issue: Sept. 15, 2016
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
