Profound, poetic and original. Hermann is a young author to watch.
A subtle, elegiac coming-of-age novel about catastrophe, grief and the persistence of everyday life.
In her stunning debut, Hermann explores the long-term ramifications of unassimilable tragedy in the life of young Ruby Bronstein. Ruby’s father is a Holocaust survivor who cannot remember most of his own childhood; as a young girl she is haunted by the contrast between her family’s warmth and closeness and her father’s silences and occasional withdrawal. Hermann approaches the familiar subject of the Holocaust and its legacies in a completely unexpected and original way, inflicting on her protagonist a series of tragedies that give readers the barest taste of what it means to face and survive unimaginable catastrophe. Early on, Ruby goes with her parents to the prison camp where her father was interred. The events and epiphanies of this sequence might be the crux of another novel, but instead, the trip is the last moment in Ruby’s life before she begins to lose one family member after another to madness and illness. The uncanny repetition of these traumas could easily have strayed into the territory of melodrama, but Hermann’s spare, taut prose strips the story of any sentimentality even as it tensely mirrors Ruby’s tamped-down emotions. The potential for melodrama is further mediated by the novel’s rigorous structure. A series of compressed episodes, any one of which could stand on its own as a short story, chronicle Ruby’s ordinary life as an adolescent and young woman: going to a new school, making and losing friends, experiencing her first crushes, savoring the joys of camp and the first years of college. They delicately illustrate the ways in which grief circumscribes her life and her ability to connect to those she loves, including her surviving family. The novel’s resolution doesn’t quite match the depth and complexity that precede it, but this is an easy fault to forgive in such a gorgeously readable meditation on mourning and survival.
Profound, poetic and original. Hermann is a young author to watch.Pub Date: Aug. 1, 2008
ISBN: 978-1-4165-6823-0
Page Count: 288
Publisher: Scribner
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2008
BOOK REVIEW
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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