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THE HIPPEST TRIP IN AMERICA

SOUL TRAIN AND THE EVOLUTION OF CULTURE & STYLE

George's in-depth look at a revered TV show is one of those rare music-centric books that will transcend its subject's core...

Put on your dancing shoes, and get funky with this romp through the history of a cultural touchstone.

George (Thriller: The Musical Life of Michael Jackson, 2010, etc.) points out that when the music-and-dance show Soul Train premiered in 1970 on a local Chicago TV station, the “landscape of black images on television and in film…was pretty barren.” Was the country in need of such an entity? Perhaps not, but sometimes the country doesn't realize what it needs until it's available. Enter Don Cornelius, an opportunistic, passionate DJ who figured out that Americans (or at least a healthy percentage of them) were ready for a black version of American Bandstand, a show where up-and-coming soul and R&B artists could perform their latest hits. The affable Cornelius was right, and soon enough, Soul Train was a national phenomenon (even though it tailed off in importance before it ended in 2006), certainly an entity that, four decades later, is worthy of a serious re-examination from a serious writer. Those familiar with the prolific George’s work might be surprised that a writer known for his serious studies of African-American culture would tackle a subject that's so flat-out fun, but his palpable love for the show makes it obvious that this is a passion project, a topic that gave him the opportunity to relive one of the joys of his youth. George's approach—and mix of narrative and oral history—is the ideal way to tackle the topic, since the combination of voices allows readers to feel and enjoy the love, the peace and the hair grease. The author chronicles his interviews with the performers, but most importantly, he got Cornelius on tape before he died in 2012.

George's in-depth look at a revered TV show is one of those rare music-centric books that will transcend its subject's core fan base. Even those with just a casual interest in Soul Train will be happy to take this trip.

Pub Date: April 1, 2014

ISBN: 978-0-06-222103-2

Page Count: 352

Publisher: Morrow/HarperCollins

Review Posted Online: March 5, 2014

Kirkus Reviews Issue: March 15, 2014

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Awards & Accolades

Likes

  • Readers Vote
  • 66


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  • Kirkus Reviews'
    Best Books Of 2017


  • New York Times Bestseller


  • IndieBound Bestseller


  • National Book Award Finalist

Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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