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THRILLER

THE MUSICAL LIFE OF MICHAEL JACKSON

A worthy postmortem tribute that admirably avoids both easy sensationalism and knee-jerk sentimentalism.

A sympathetic revisiting of the King of Pop's rich musical legacy.

In 1983, writes noted music critic and memoirist George (City Kid: A Writer's Memoir of Ghetto Life and Post-Soul Success, 2009, etc.), “Dell published my first book, The Michael Jackson Story, a pocket-sized quickie biography of the singer” that capitalized on his unprecedented success. Fittingly, the author now offers this reverent—but not wholly uncritical—blend of memoir, music journalism and pop sociology to commemorate the untimely death of the controversial but immensely gifted pop icon. George traces his own memories of the Jackson 5 and Michael Jackson's solo career, both as a live act and through the recordings, while growing up in ’70s Brooklyn. He depicts the rise of the Jackson family from working-class Gary, Ind., as partly stemming from patriarch Joe Jackson's own frustrated ambitions as a musician. George expertly examines important turning points in Jackson's career, including the profound influence of disco (Saturday Night Fever, especially) on his work, leading to the smash album Off the Wall in 1979, which set the stage for the paradigm-shifting 1982 breakthrough, Thriller. That album's barrier-breaking influence opened doors for not only black performers but African-Americans as a whole. (George posits the success of Thriller as a catalyst for the rise to power of Oprah, and even Barack Obama.) The author helpfully acknowledges the behind-the-scenes session players and producers who kept the Jackson juggernaut rolling for so long—most importantly, Thriller mastermind Quincy Jones. But George also considers the downside of Thriller's runaway success. Jackson's newly inflated commercial ambitions, among other things, led to the infamous Pepsi ad rehearsal during which the performer's hair caught fire, an incident that may have begun his longtime addiction to painkillers. Sadly, the post-Thriller era ushered in the weirdly “eccentric” side of Jackson, which ultimately led to bad business deals, failed marriages and ignominious sex scandals.

A worthy postmortem tribute that admirably avoids both easy sensationalism and knee-jerk sentimentalism.

Pub Date: June 8, 2010

ISBN: 978-0-306-81878-3

Page Count: 256

Publisher: Da Capo

Review Posted Online: Jan. 23, 2011

Kirkus Reviews Issue: May 1, 2010

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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THE PURSUIT OF HAPPYNESS

FROM MEAN STREETS TO WALL STREET

Well-told and admonitory.

Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.

Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.

Well-told and admonitory.

Pub Date: June 1, 2006

ISBN: 0-06-074486-3

Page Count: 320

Publisher: Amistad/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2006

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