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WE WILL BE JAGUARS

A MEMOIR OF MY PEOPLE

An essential memoir of Indigenous resistance to economic subjugation and cultural extinction.

A young woman’s life among her people in the Ecuadorian rainforest, battling the onslaught of bulldozers and oil wells.

It has long been an anthropological desideratum to describe the world from “the native’s point of view.” Nenquimo, a member of the Waorani people of Amazonian Ecuador, does far more: her memoir reveals her world directly through her eyes, albeit as rendered into English by her American husband while taking pains to assure readers that “these are her memories.” Some of those memories are terrible; much of what she has seen, brutal. Her earliest encounter with non-Waorani people is with the earthly representatives of “Wengongi, the white man’s big spirit in the sky,” Christians whom Waorani warriors would once have speared to death but who now accuse the village’s teenage boys of “being influenced by the communists” simply because they are skeptical about an oil company drilling on Waorani land. Against these values are posed a Waorani elder’s assurance that Nenquimo’s ailing brother would grow up to be a brave hunter, acting as an intermediary between the human world and the world of the deceased ancestors, who “roam in these woods” as spirit jaguars. A stint in a missionary school in Quito—”You’re here to become God’s servant. Not another pregnant jungle girl”—doesn’t rid her of carefully guarded beliefs in the old ways. On returning to discover that her village is being besieged by invaders—foresters, cattlemen, and especially all-destructive oil companies—she becomes a fierce defender of her people, taking their arguments against dispossession up a steep legal ladder to victory: “We had protected a half-million acres of our rainforest. And we had opened a legal pathway, a bright trail, that other Indigenous nations could follow to protect their territories as well.”

An essential memoir of Indigenous resistance to economic subjugation and cultural extinction.

Pub Date: Sept. 17, 2024

ISBN: 9781419763779

Page Count: 368

Publisher: Abrams

Review Posted Online: Aug. 2, 2024

Kirkus Reviews Issue: Sept. 1, 2024

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WAR

An engrossing and ominous chronicle, told by a master of the form.

Documenting perilous times.

In his most recent behind-the-scenes account of political power and how it is wielded, Woodward synthesizes several narrative strands, from the Jan. 6, 2021, insurrection and Hamas’ Oct. 7, 2023, attack on Israel to the 2024 presidential campaign. Woodward’s clear, gripping storytelling benefits from his legendary access to prominent figures and a structure of propulsive chapters. The run-up to Russia’s invasion of Ukraine is tense (if occasionally repetitive), as a cast of geopolitical insiders try to divine Vladimir Putin’s intent: “Doubt among allies, the public and among Ukrainians meant valuable time and space for Putin to maneuver.” Against this backdrop, U.S. Sen. Lindsey Graham implores Donald Trump to run again, notwithstanding the former president’s denial of his 2020 defeat. This provides unwelcome distraction for President Biden, portrayed as a thoughtful, compassionate lifetime politico who could not outrace time, as demonstrated in the June 2024 debate. Throughout, Trump’s prevarications and his supporters’ cynicism provide an unsettling counterpoint to warnings provided by everyone from former Joint Chief of Staff Mark Milley to Vice President Kamala Harris, who calls a second Trump term a likely “death knell for American democracy.” The author’s ambitious scope shows him at the top of his capabilities. He concludes with these unsettling words: “Based on my reporting, Trump’s language and conduct has at times presented risks to national security—both during his presidency and afterward.”

An engrossing and ominous chronicle, told by a master of the form.

Pub Date: Oct. 15, 2024

ISBN: 9781668052273

Page Count: 448

Publisher: Simon & Schuster

Review Posted Online: Oct. 15, 2024

Kirkus Reviews Issue: Dec. 15, 2024

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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  • New York Times Bestseller

A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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