Two lesbian lovers from Pennsylvania take on frontier Nevada in the 1870s, escaping from the double trouble of sexual double standards—in a non-explicit Sapphic western, with the emphasis on some bizarre pioneer coping. Imogene Grelznik, a "giantess" in loneliness as well as physique, has been driven from her teaching job in Philadelphia because of "immorality." So Imogene relocates to the remote town of Calliope, Pa., where one of her pupils is Sarah—sweet child of an autocratic, greedy father and overworked mother; Imogene encourages Sarah to paint, expands her horizons. But then Sarah's married off at 16 to farmer Sam Ebbitt. ("Marriage isn't to like or not to like," says Mother, resigned toter of Woman's Burden.) And though Sarah's not unwilling—sex promises to be rather fun—Sam considers a woman's pleasure in the act "whorish" . . . and beats Sarah to a pulp. Even worse beatings follow when Sarah defends Imogene (whose scandalous past is revealed); Sam disowns Sarah, takes possession of baby Matthew. Now Imogene, loving Sarah helplessly, must nurse her back to health both physically and mentally: they flee to Reno, Nevada, where happier days ensue. Sarah cares for little half-breed Wolf, a tot sired by roughly good-looking Nate Weldrick; the women teach in a good private school. Still, after Wolf's shadowy death, muddled Sarah thinks of marrying Nate as a crazy kind of expiation—so Imogene carts her off to "Round Hole," where they manage a carriage-stop in a godforsaken arid waste. And eventually, with help from gentle loner Karl Saunders, the women undertake the most daring exploit of all: there'll be an unusual marriage and the homecoming of six-year-old Matthew (Sam has died) before the bittersweet end. Outcast love in alkali flats—an easy-read yarn with lots of gay-pride preachment but no graphic sex.
Pub Date: Sept. 4, 1984
ISBN: 0380799502
Page Count: -
Publisher: St. Martin's
Review Posted Online: Sept. 17, 2011
Kirkus Reviews Issue: Aug. 15, 1984
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
More of the same: Sparks has his recipe, and not a bit of it is missing here. It’s the literary equivalent of high fructose...
Sparks (The Longest Ride, 2013, etc.) serves up another heaping helping of sentimental Southern bodice-rippage.
Gone are the blondes of yore, but otherwise the Sparks-ian formula is the same: a decent fellow from a good family who’s gone through some rough patches falls in love with a decent girl from a good family who’s gone through some rough patches—and is still suffering the consequences. The guy is innately intelligent but too quick to throw a punch, the girl beautiful and scary smart. If you hold a fatalistic worldview, then you’ll know that a love between them can end only in tears. If you hold a Sparks-ian one, then true love will prevail, though not without a fight. Voilà: plug in the character names, and off the story goes. In this case, Colin Hancock is the misunderstood lad who’s decided to reform his hard-knuckle ways but just can’t keep himself from connecting fist to face from time to time. Maria Sanchez is the dedicated lawyer in harm’s way—and not just because her boss is a masher. Simple enough. All Colin has to do is punch the partner’s lights out: “The sexual harassment was bad enough, but Ken was a bully as well, and Colin knew from his own experience that people like that didn’t stop abusing their power unless someone made them. Or put the fear of God into them.” No? No, because bound up in Maria’s story, wrinkled with the doings of an equally comely sister, there’s a stalker and a closet full of skeletons. Add Colin’s back story, and there’s a perfect couple in need of constant therapy, as well as a menacing cop. Get Colin and Maria to smooching, and the plot thickens as the storylines entangle. Forget about love—can they survive the evil that awaits them out in the kudzu-choked woods?
More of the same: Sparks has his recipe, and not a bit of it is missing here. It’s the literary equivalent of high fructose corn syrup, stickily sweet but irresistible.Pub Date: Oct. 13, 2015
ISBN: 978-1-4555-2061-9
Page Count: 304
Publisher: Grand Central Publishing
Review Posted Online: Sept. 30, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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