An appealing production overall and a helpful introduction for children preparing to see the ballet, but it’s one that needs...
This introduction to the ballet closely follows the production of the New York City Ballet, as originated by George Balanchine.
Protagonist Marie is introduced on the cover as a blonde, white sylph dancing with her nutcracker toy. All the standard elements of the story are introduced in order, including the transformation of the Christmas tree, cleverly illustrated by shifting the page orientation by 90 degrees to accommodate its sudden growth. Marie and the Prince travel through the Land of Sweets, where they meet the characters from the ballet, such as the Sugarplum Fairy and Mother Ginger, before returning home in their magical sleigh drawn by reindeer. This interpretation has the advantage of a text that is not too long or complicated for young children. The captivating illustrations have an art nouveau look, with swirling skirts, trailing ribbons, and flowing hair styles. A concerning aspect of the style is the noticeable thinness of the female dancers, especially Marie and the other little girls at the party. Stick-thin arms and legs for little girls do not reflect reality and reinforce problematic body-image ideals. The main characters in the story are all white, while some of the party guests and dancers are from other ethnic groups. Two final pages include additional facts and the history of the New York City Ballet production.
An appealing production overall and a helpful introduction for children preparing to see the ballet, but it’s one that needs some real little girls as artist's models. (Picture book. 4-8)Pub Date: Sept. 20, 2016
ISBN: 978-1-4814-5829-0
Page Count: 40
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Aug. 16, 2016
Kirkus Reviews Issue: Sept. 1, 2016
BOOK REVIEW
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among
Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.
If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)Pub Date: Sept. 18, 2018
ISBN: 978-0-06-267527-9
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Too cute to be spooky indeed but most certainly sweet.
A ghost longs to be scary, but none of the creepy personas she tries on fit.
Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.
Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)Pub Date: Aug. 13, 2024
ISBN: 9780593702901
Page Count: 32
Publisher: Random House
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
BOOK REVIEW
BOOK REVIEW
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