by The New Yorker ‧ RELEASE DATE: Sept. 29, 2015
Superb: a gift that keeps on giving and a fine introduction to the life and letters of a supposedly (but not really) gray...
Following on the previous anthology, The 40s (2014), the editors of the New Yorker continue to mine the magazine’s impossibly rich history.
With the possible exception of Esquire, there has been no general-interest magazine in the history of American journalism more influential, and more packed with talent, than the New Yorker. It’s arguable when the magazine’s heyday took place, but many knowledgeable readers place it in the tenure of William Shawn, “quiet, subtle, secretive, elliptical, and, to some, quite strange,” who succeeded Harold Ross in January 1952 and set to work building his own legacy. This volume contains work by writers who are still influential today—and some who have been all but forgotten. Joseph Mitchell, interest in whom has recently revived, turns up early, in a section called “American Scenes,” reporting from the front lines of the postwar civil rights movement. Dwight McDonald, little known today, turns in a fine portrait of the activist Dorothy Day, founder of the Catholic Workers, who—the sexist and ageist past being what it is—is described as looking “like an elderly schoolteacher or librarian.” In a similar vein, profiling the emerging movie star Marlon Brando in 1957 at a length unthinkable today, Truman Capote sets off with the odd observation, “Most Japanese girls giggle.” As he shows, Brando sometimes gave them reason to. The portrait is every bit as serious, though, as Lillian Ross’ reportage on the making of the now-classic John Huston film The Red Badge of Courage (1951). Other highlights: a forward-looking piece by Roald Dahl anticipating the wine craze of later decades and a deeply curious short story by John Updike describing in passing the antics of a party-going woman who, “insanely drunk, was throwing herself around as if wanting to break a bone.” Other contributors include A.J. Liebling, James Thurber, Wolcott Gibbs, Marianne Moore, Sylvia Plath, and Nadine Gordimer.
Superb: a gift that keeps on giving and a fine introduction to the life and letters of a supposedly (but not really) gray decade.Pub Date: Sept. 29, 2015
ISBN: 978-0-679-64481-1
Page Count: 784
Publisher: Random House
Review Posted Online: July 14, 2015
Kirkus Reviews Issue: Aug. 1, 2015
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PERSPECTIVES
by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Ludwig Bemelmans ; illustrated by Steven Salerno
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