Those iconic figures manage more human-speak than they did in Gettysburg (2003), and the battle scenes continue war-lovingly...
The Gingrich and Forstchen (military historian) “what-if” take on the Civil War gathers some steam.
After Lee’s glittering Gettysburg triumph (ending volume one of what bids fair to be at least a trilogy) the tactical question becomes—what next? Strike at the now vulnerable enemy capital? The decimated Army of the Potomac appears unable to protect Washington, and if Lee can occupy the city—as President Jefferson Davis is certain he can—perhaps the nightmarish struggle will be at last resolved. Failing that longed-for consummation, France and/or England might be willing to regard the Confederacy as legitimate and worthy of an alliance. But Lee’s vaunted Army of Northern Virginia isn’t what it once was. Victories have been costly. Manpower shortages are everywhere and critical. And, in the west, there’s this new player, a worrisome Union general named Ulysses S. Grant, fresh from his own monster victory at Vicksburg. Urged on by the overconfident Davis, Lee attempts to storm Washington, where he meets much stiffer resistance than predicted—mounted, among others, by the elegant and aristocratic Colonel Robert Shaw (Matthew Broderick in Glory) and his legendary fifty-fourth of Massachusetts. (“Lincoln saw the columns of veterans beginning to shake out into the battle line, the men professional-looking, moving sharply. . . and they were colored.”) The bloody chess game continues. Bold gambits are countered by desperate defenses as the armies maneuver for position, and always, always, with horrific slaughter of young men. Lincoln throws his full support behind Grant. Unaccountably, Jeff Davis’s support for Lee begins to waver. As this second installment ends, Grant seems headed for Richmond. Is that where Gingrich–Forstchen’s champion heavyweights will finally slug it out?
Those iconic figures manage more human-speak than they did in Gettysburg (2003), and the battle scenes continue war-lovingly rendered. Civil War buffs will be entertained.Pub Date: June 1, 2004
ISBN: 0-312-30937-6
Page Count: 400
Publisher: Dunne/St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
An unusual and mesmerizing novel, gracefully written and deeply disturbing.
In her first novel to be published in English, South Korean writer Han divides a story about strange obsessions and metamorphosis into three parts, each with a distinct voice.
Yeong-hye and her husband drift through calm, unexceptional lives devoid of passion or anything that might disrupt their domestic routine until the day that Yeong-hye takes every piece of meat from the refrigerator, throws it away, and announces that she's become a vegetarian. Her decision is sudden and rigid, inexplicable to her family and a society where unconventional choices elicit distaste and concern that borders on fear. Yeong-hye tries to explain that she had a dream, a horrifying nightmare of bloody, intimate violence, and that's why she won't eat meat, but her husband and family remain perplexed and disturbed. As Yeong-hye sinks further into both nightmares and the conviction that she must transform herself into a different kind of being, her condition alters the lives of three members of her family—her husband, brother-in-law, and sister—forcing them to confront unsettling desires and the alarming possibility that even with the closest familiarity, people remain strangers. Each of these relatives claims a section of the novel, and each section is strikingly written, equally absorbing whether lush or emotionally bleak. The book insists on a reader’s attention, with an almost hypnotically serene atmosphere interrupted by surreal images and frighteningly recognizable moments of ordinary despair. Han writes convincingly of the disruptive power of longing and the choice to either embrace or deny it, using details that are nearly fantastical in their strangeness to cut to the heart of the very human experience of discovering that one is no longer content with life as it is.
An unusual and mesmerizing novel, gracefully written and deeply disturbing.Pub Date: Feb. 2, 2016
ISBN: 978-0-553-44818-4
Page Count: 192
Publisher: Hogarth
Review Posted Online: Oct. 19, 2015
Kirkus Reviews Issue: Nov. 1, 2015
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