Those iconic figures manage more human-speak than they did in Gettysburg (2003), and the battle scenes continue war-lovingly...
The Gingrich and Forstchen (military historian) “what-if” take on the Civil War gathers some steam.
After Lee’s glittering Gettysburg triumph (ending volume one of what bids fair to be at least a trilogy) the tactical question becomes—what next? Strike at the now vulnerable enemy capital? The decimated Army of the Potomac appears unable to protect Washington, and if Lee can occupy the city—as President Jefferson Davis is certain he can—perhaps the nightmarish struggle will be at last resolved. Failing that longed-for consummation, France and/or England might be willing to regard the Confederacy as legitimate and worthy of an alliance. But Lee’s vaunted Army of Northern Virginia isn’t what it once was. Victories have been costly. Manpower shortages are everywhere and critical. And, in the west, there’s this new player, a worrisome Union general named Ulysses S. Grant, fresh from his own monster victory at Vicksburg. Urged on by the overconfident Davis, Lee attempts to storm Washington, where he meets much stiffer resistance than predicted—mounted, among others, by the elegant and aristocratic Colonel Robert Shaw (Matthew Broderick in Glory) and his legendary fifty-fourth of Massachusetts. (“Lincoln saw the columns of veterans beginning to shake out into the battle line, the men professional-looking, moving sharply. . . and they were colored.”) The bloody chess game continues. Bold gambits are countered by desperate defenses as the armies maneuver for position, and always, always, with horrific slaughter of young men. Lincoln throws his full support behind Grant. Unaccountably, Jeff Davis’s support for Lee begins to waver. As this second installment ends, Grant seems headed for Richmond. Is that where Gingrich–Forstchen’s champion heavyweights will finally slug it out?
Those iconic figures manage more human-speak than they did in Gettysburg (2003), and the battle scenes continue war-lovingly rendered. Civil War buffs will be entertained.Pub Date: June 1, 2004
ISBN: 0-312-30937-6
Page Count: 400
Publisher: Dunne/St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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