by Ngozi Ukazu ; illustrated by Ngozi Ukazu ‧ RELEASE DATE: June 4, 2024
A visually arresting account of a Fury’s promising beginning.
Six young warrior women are led by the brave Barda in this story from the world of DC Comics.
The Furies—sent by Lord Darkseid to find variables to fuel his war against all things light—have been trained to be disposable tools of destruction. They fight under the threat of torture by Granny Goodness, a sadistic elder who celebrates them for their brutality and punishes them for any perceived weaknesses. The Furies reside on the planet Apokolips and carry out missions against their foes on New Genesis, a planet that is the antithesis of everything they know. Barda is the brawniest and most ruthless of the Furies, but when she finds a book lying on the ground during a battle, it changes everything by showing her love’s possibilities, interrupting the book’s repeated refrain, “We do not speak of love on Apokolips.” When Barda is ordered to torture a man who tried to escape the X-Pit, Granny Goodness’ prison, Granny’s cruelty pushes her to see whether love can be more than just a possibility. Although the storyline is simple, and experienced readers may find few surprises, Barda’s vulnerability during her quiet moments creates a fantastic balance between action and introspection. Bursts of blues, greens, and golds flash across the mainly terracotta palette, which highlights the barrenness of Apokolips and sets a striking scene. The Furies all appear to be white, with the exception of Lashina, who’s coded as Black.
A visually arresting account of a Fury’s promising beginning. (Graphic fantasy. 13-18)Pub Date: June 4, 2024
ISBN: 9781779511133
Page Count: 208
Publisher: DC
Review Posted Online: April 20, 2024
Kirkus Reviews Issue: May 15, 2024
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by Ngozi Ukazu ; illustrated by Mad Rupert ; color by K Czap
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by Ngozi Ukazu ; illustrated by Ngozi Ukazu
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by Ngozi Ukazu ; illustrated by Ngozi Ukazu
by Lauren Roberts ‧ RELEASE DATE: Nov. 7, 2023
A lackluster and sometimes disturbing mishmash of overused tropes.
The Plague has left a population divided between Elites and Ordinaries—those who have powers and those who don’t; now, an Ordinary teen fights for her life.
Paedyn Gray witnessed the king kill her father five years ago, and she’s been thieving and sleeping rough ever since, all while faking Psychic abilities. When she inadvertently saves the life of Prince Kai, she becomes embroiled in the Purging Trials, a competition to commemorate the sickness that killed most of the kingdom’s Ordinaries. Kai’s duties as the future Enforcer include eradicating any remaining Ordinaries, and these Trials are his chance to prove that he’s internalized his brutal training. But Kai can’t help but find Pae’s blue eyes, silver hair, and unabashed attitude enchanting. She likewise struggles to resist his stormy gray eyes, dark hair, and rakish behavior, even as they’re pitted against each other in the Trials and by the king himself. Scenes and concepts that are strongly reminiscent of the Hunger Games fall flat: They aren’t bolstered by the original’s heart or worldbuilding logic that would have justified a few extreme story elements. Illogical leaps and inconsistent characterizations abound, with lighthearted romantic interludes juxtaposed against genocide, child abuse, and sadism. These elements, which are not sufficiently addressed, combined with the use of ableist language, cannot be erased by any amount of romantic banter. Main characters are cued white; the supporting cast has some brown-skinned characters.
A lackluster and sometimes disturbing mishmash of overused tropes. (map) (Fantasy. 14-18)Pub Date: Nov. 7, 2023
ISBN: 9798987380406
Page Count: 538
Publisher: Simon & Schuster
Review Posted Online: Sept. 9, 2023
Kirkus Reviews Issue: Oct. 1, 2023
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by Stephanie Garber ‧ RELEASE DATE: Jan. 31, 2017
Immersive and engaging, despite some flaws, and destined to capture imaginations.
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New York Times Bestseller
Magic, mystery, and love intertwine and invite in this newest take on the “enchanted circus” trope.
Sisters raised by their abusive father, a governor of a colonial backwater in a world vaguely reminiscent of the late 18th century, Scarlett and Donatella each long for something more. Scarlett, olive-skinned, dark of hair and attitude, longs for Caraval, the fabled, magical circus helmed by the possibly evil Master Legend Santos, while blonde, sunny Tella finds comfort in drink and the embraces of various men. A slightly awkward start, with inconsistencies of attitude and setting, rapidly smooths out when they, along with handsome “golden-brown” sailor Julian, flee to Caraval on the eve of Scarlett’s arranged marriage. Tella disappears, and Scarlett must navigate a nighttime world of magic to find her. Caraval delights the senses: beautiful and scary, described in luscious prose, this is a show readers will wish they could enter. Dresses can be purchased for secrets or days of life; clocks can become doors; bridges move: this is an inventive and original circus, laced with an edge of horror. A double love story, one sensual romance and the other sisterly loyalty, anchors the plot, but the real star here is Caraval and its secrets.
Immersive and engaging, despite some flaws, and destined to capture imaginations. (Fantasy. 14 & up)Pub Date: Jan. 31, 2017
ISBN: 978-1-250-09525-1
Page Count: 416
Publisher: Flatiron Books
Review Posted Online: Sept. 18, 2016
Kirkus Reviews Issue: Oct. 1, 2016
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