Next book

THE DOLL

A touching, full-circle journey about the lasting impact of kindness.

In a story inspired by events from the author’s life, a young Vietnamese refugee is welcomed to a new country with the unexpected gift of a doll.

This sweet gesture becomes a formative experience that symbolizes the acceptance of her family in their new home. When she grows up, becoming a doctor, the young woman reflects upon the compassion she received and becomes inspired to help other refugees. Taking action, she greets a new refugee family in an airport and gives a young girl the same doll that welcomed her many years ago. While the story highlights the act of paying it forward, the text betrays the main character by seemingly attributing her success in life to the singular moment of receiving the doll: “All that you have, and all that you have become are because of an act of kindness.” This troubling statement oversimplifies the refugee experience and robs the woman of resilience and agency. However, the overall message of the positive, rippling effect of generosity is not lost. Stamplike shading in dusky reds, browns, and blues evoke warmth and comfort in the illustrations. The refugees, both the original protagonist and those newly arrived, are depicted with dignity and quiet strength. The young woman and her family are Vietnamese, the refugee family she welcomes at the airport is cued as Middle Eastern.

A touching, full-circle journey about the lasting impact of kindness. (author's note) (Picture book. 5-9)

Pub Date: April 27, 2021

ISBN: 978-1-77260-165-7

Page Count: 24

Publisher: Second Story Press

Review Posted Online: Feb. 8, 2021

Kirkus Reviews Issue: March 1, 2021

Next book

LITTLE DAYMOND LEARNS TO EARN

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.

How to raise money for a coveted poster: put your friends to work!

John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)

Pub Date: March 21, 2023

ISBN: 978-0-593-56727-2

Page Count: 40

Publisher: Random House

Review Posted Online: Dec. 13, 2022

Kirkus Reviews Issue: Jan. 1, 2023

Next book

IMANI'S MOON

While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child...

Imani endures the insults heaped upon her by the other village children, but she never gives up her dreams.

The Masai girl is tiny compared to the other children, but she is full of imagination and perseverance. Luckily, she has a mother who believes in her and tells her stories that will fuel that imagination. Mama tells her about the moon goddess, Olapa, who wins over the sun god. She tells Imani about Anansi, the trickster spider who vanquishes a larger snake. (Troublingly, the fact that Anansi is a West African figure, not of the Masai, goes unaddressed in both text and author’s note.) Inspired, the tiny girl tries to find new ways to achieve her dream: to touch the moon. One day, after crashing to the ground yet again when her leafy wings fail, she is ready to forget her hopes. That night, she witnesses the adumu, the special warriors’ jumping dance. Imani wakes the next morning, determined to jump to the moon. After jumping all day, she reaches the moon, meets Olapa and receives a special present from the goddess, a small moon rock. Now she becomes the storyteller when she relates her adventure to Mama. The watercolor-and-graphite illustrations have been enhanced digitally, and the night scenes of storytelling and fantasy with their glowing stars and moons have a more powerful impact than the daytime scenes, with their blander colors.

While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child to be admired. (Picture book. 5-8)

Pub Date: Oct. 14, 2014

ISBN: 978-1-934133-57-6

Page Count: 32

Publisher: Mackinac Island Press

Review Posted Online: July 28, 2014

Kirkus Reviews Issue: Aug. 15, 2014

Close Quickview