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BEYOND UHURA

STAR TREK AND OTHER MEMORIES

One of the first black women to star in a television series (``Star Trek'') provides a valuable commentary on racism in the business, along with numerous sugarcoated stories about friends, fans, and family. Growing up in Robbins, a black-populated and black-governed town just outside of Chicago, Nichols began her singing and dancing career at the age of 14, touring nightclubs for many years. Nichols met Gene Roddenberry, later the producer of ``Star Trek,'' in 1963 when she was cast in an episode of one of his early television series. Her friendship with the married Roddenberry quickly turned into an affair. Nichols ended it when she discovered he was seeing someone else, although by her account, Roddenberry never quite forgave her for walking away. Nichols faced numerous racial and sexist barriers throughout her career, including conflict with the stuffed shirts of NBC around her role in ``Star Trek.'' Only after Nichols agreed to sign the contract did NBC executives learn that Roddenberry intended to hire a black woman as fourth in command on the Enterprise. They refused to honor the contract, but Roddenberry was free to hire her on a daily basis, which he did throughout the series. Nichols admits having felt humiliated not to be working under the same terms as the rest of the cast. Nichols also reveals the rocky relationship she and the entire cast had with William Shatner. Even though she occasionally offers kind words about Shatner's character and abilities, for the most part he is portrayed as arrogant and bossy. Nichols occasionally takes herself too seriously. Her speeches at ``Star Trek'' conventions often addressed the future of the space program. By her account, ``often, by the end of my speech, the fans would be crying, and I would be crying. Then we'd all be laughing.'' Nichols's story just doesn't have the expected punch from the woman involved with the first televised interracial kiss. But Trekkers will love the gossip. (40 b&w photos, not seen) (Author tour)

Pub Date: Oct. 19, 1994

ISBN: 0-399-13993-1

Page Count: 320

Publisher: Putnam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1994

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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