by Nicholas A. Basbanes ‧ RELEASE DATE: Nov. 28, 2003
Basbanes’s profound passion never falls into pedantry: readers will emerge with new knowledge, new worries, and enormous...
An erudite, often lively analysis of the disappearance of texts thanks to time, weather, worms, warriors, decay, poor judgment, and the computer.
When does this author find time to read? As in his other work (Among the Gently Mad, 2002, etc.), Basbanes comprises records of his Marco Polo–esque travels, myriad quotations from his countless interviews, and a familiarity with ancient texts (and culture and history) that is at times daunting. Here, peripatetic bibliophile Basbanes examines several issues of enormous importance in BiblioLand. First, the silent thinning of collections by libraries looking for additional space and concerned with a book’s failure to circulate (or be consulted). The author is alarmed that unique and/or rare titles are disappearing in this fashion at a growing rate. Basbanes also tells the stories of some of the most famous fragments in literary history—e.g., Gilgamesh (about a third is missing) and the Dead Sea Scrolls. He examines how armies have assailed libraries with particular relish (the Romans sacked Carthage, the Serbs blasted the National Library in Sarajevo in the 1990s, Iraqi looters picked clean the National Library of Iraq earlier this year). Most touching is the story of a library in Belgium, burned in WWI, rebuilt, burned again in WWII, and once again rebuilt. The author discusses the odious practice of “book-breaking” (removing pages, usually illustrations, for separate sale) and explores the nettlesome issue of multiple versions of single texts (Leaves of Grass, for instance). But most distressing is the chapter about time’s ravages. That intoxicating odor of libraries, he reminds us, is the smell of decaying paper. The last third deals with the complications of electronic storage and the controversies of e-books.
Basbanes’s profound passion never falls into pedantry: readers will emerge with new knowledge, new worries, and enormous respect.Pub Date: Nov. 28, 2003
ISBN: 0-06-008287-9
Page Count: 464
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2003
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Ludwig Bemelmans ; illustrated by Steven Salerno
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