A short, stirring story with a unique premise.
A man looks back at his life and loves as he awaits his death in Day’s novel.
A cartoonist named Martin, nicknamed Firecracker, recalls, “my daddy burst into flames when I was six years old.” Now an adult and married with children in Edwardsville, Illinois,Firecracker knows in his bones that “the fire is coming” and that he will one day spontaneously combust, just like his father and grandfather before him. After he heads into the Night Cap, a local dive bar, the story goes back and forth in time, focusing on Firecracker’s memories of childhood and the events of the present day in equal measure. Firecracker particularly examines love—his addiction to it and the many ways in which he has experienced it through his lifetime. He looks back on his childhood friendship with a boy named Stephen; his relationship with his wife, Emily; and a girl whose name he cannot remember but whom he knows he loved fully. In his childhood, Firecracker saw Stephen’s mother dead in her driveway; he has seen and communicated with an incarnation of Death ever since. It is in these passages with Death that the author’s descriptive prose truly shines: “Darkness and light became as a curtain, which rippled and pulled apart to reveal a human shape whose eyes shone like dying stars and whose clothes were fashioned from shadow and fog.” Firecracker’s moments with Death convey both the fear and love he feels for the specter throughout the story—Death is a nightmare-fueling figure earlier on but becomes a constant, steadying presence in Firecracker’s life. Day’s story is at times lyrical, blending prose with poetry to convey Firecracker’s more expressive, dream-like ruminations as he nears his end: “You are one of them, one of us, an infinite being / The dream never ends / None of this is real…I could finally see time for what it was. An infinite circle.” Day’s tale is a quick read, creative and addictively readable.
A short, stirring story with a unique premise.Pub Date: Dec. 21, 2018
ISBN: 9781947654792
Page Count: 98
Publisher: Bizarro Pulp Press
Review Posted Online: Feb. 22, 2023
Kirkus Reviews Issue: April 15, 2023
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
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