The novel is brisk-paced and crowd-pleasing, but hardly brave.
The latest from Evans (The Divided, 2005, etc.), author of the blockbuster The Horse Whisperer (1995), ranges from a 1950s British boarding school to early-’60s Hollywood gossip to contemporary war crimes in Iraq.
As 1960 approaches at Ashlawn Preparatory, lonely Tommy Bedford, not yet ten, is a mostly inconspicuous boy teased for being a bedwetter. He feels exiled from home and especially from his beautiful, vivacious sister, a starlet who's just moved to Los Angeles to seek fame in film; his chief solace is an obsession with bold cowboy heroes, among them a small-screen gunslinger named Red McGraw. Tommy’s sister shows up on the redbrick campus in a stretch limo one day, squired by Ray Montane, the actor who plays Red. Soon after, Diane divulges a shocking secret—Tommy is not her brother but her son, conceived when she was a teen, and his aged parents are really grandparents—and she and Ray whisk Tommy to Hollywood to live with them. Inevitably, the sunny fantasy curdles, and Ray turns out not to be quite the square-jawed scourge of injustice he plays on television. Eventually, his poisonous jealousy results in an act of violence that, we learn in the book's opening scene, ends (not quite plausibly) with Diane being executed. Four decades later, ex-alcoholic Tom Bedford lives alone in Montana, soldiering on amid the wreckage of a marriage and a once-promising writing career. But when his estranged son, Danny, who enlisted in the Marines over Tom's objections, is charged with murder after a civilian massacre in Iraq, Tom—trying both to reconnect to his boy and to save him from conviction—is forced to acknowledge, and to do something about the toxic residue of, the secret he'd thought buried. Evans has put together a slick, well-constructed entertainment, but it often succumbs to cliché and grimly dogpaddles in the mainstream, never taking a risk.
The novel is brisk-paced and crowd-pleasing, but hardly brave.Pub Date: Oct. 12, 2010
ISBN: 978-0-316-03378-7
Page Count: 368
Publisher: Little, Brown
Review Posted Online: July 29, 2010
Kirkus Reviews Issue: Aug. 15, 2010
IN THE NEWS
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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