An effective, if melancholy portrait.
The bestselling author of The Horse Whisperer (1995) returns to the rugged American West for this story of a damaged family’s eventual redemption.
The surface of Evans’s latest is shaped as a mystery. Two skiers on the back trails in Montana find a body encased in ice, and it doesn’t take long for the authorities to identify her as Abbie Cooper, wanted for eco-terrorism and murder. Her parents come to claim her body: Ben from Santa Fe, where he lives with his lover Eve, Sarah from the now-empty family home in Long Island. Sarah’s cruel accusation that Ben is responsible for Abbie’s death spins the story back to when they were a happy family . . . or at least had the appearance of one. Ben was studying architecture and Sarah was in college when they met. They romanced in the usual way, married, had Abbie and Josh and moved to the ’burbs. But the façade of marital harmony shatters on Ben’s 46th birthday at the Divide, a Montana dude ranch, where he meets Eve. Everything that’s wrong with Ben and Sarah (a lot) finally becomes too much to bear. Abbie takes her parents’ split badly, and her youthful enthusiasm for saving the planet at the University of Montana turns dangerous after she meets Rolf, a cell leader for the Earth Liberation Front. When one of their fire-bombings goes wrong, Abbie and Rolf go underground to lead a quasi-criminal existence, despite her parents’ televised appeals to turn herself in. Part thriller, part family drama, the novel is at its best in the analysis of Ben and Sarah’s failed marriage. Evans examines in excruciating detail the intentional injury and petty selfishness that accompany their break-up. Abbie’s disappearance lasts for years, with the FBI still watching the Coopers. It’s up to Josh, shy and usually stoned, to bring the family some closure.
An effective, if melancholy portrait.Pub Date: Sept. 1, 2005
ISBN: 0-399-15206-7
Page Count: 400
Publisher: Riverhead
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Aug. 1, 2005
IN THE NEWS
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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