An alluring and adventurous ride through a criminal underworld.
Fillmore’s debut memoir chronicles how he fell into business with international heroin smugglers.
The opening lines of this remembrance plunge readers into action at the Nigerian border as chaos ensues over a lost bag of heroin. The author then looks back on his first assignment for a smuggling ring, and he recalls the initial intoxication of joining a crowd of 20-something college grads, desperate to bust “out of the narrow confines of our lives” by smuggling heroin into the United States from Europe. However, Fillmore’s “beginner’s luck” quickly ended when heroin went missing and he was forced to swear his allegiance to Alhaji, a Nigerian drug boss. Over the course of the book, Fillmore gracefully articulates the illusory charm of crime, which kept him and his business partner, Claire, coming back to Alhaji and his trade: “We simply did not conceive of ourselves as criminals,” he confesses, revealing the callowness of youth. But when the author was arrested by Drug Enforcement Administration agents and sentenced to four years in a maximum-security prison, he finally had to reckon with the “indignity of renouncing my actions.” Fillmore’s journey is replete with incredible, cinematic visual details, as well as a motley crew of characters, such as “fishermen lacquered in blood and fish scales.” His narration shows impressive thoughtfulness and clarity, even as he relates his journey at a breakneck pace. However, he sometimes glosses over piquant details that might have made for an even more engaging story; for instance, readers learn very little about the days leading up to Fillmore’s first assignment, when he and his colleagues “drink and plot, immersing ourselves in the details, arrivals, departures, in order to distract ourselves from the larger meaning of our travels.”
An alluring and adventurous ride through a criminal underworld.Pub Date: Nov. 29, 2018
ISBN: 978-0-578-40348-9
Page Count: 290
Publisher: iambic Books
Review Posted Online: Jan. 27, 2020
Review Program: Kirkus Indie
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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