by Nicholas Griffin ‧ RELEASE DATE: March 21, 2003
Lively, thoughtful, and a big help in elucidating bewildering struggles in faraway mountains.
A satisfying blend of history and travel memoir, set in the tortured, contested landscapes of the Caucasus Mountains.
English novelist Griffin (The House of Sight and Shadow, 2001, etc.) is a devotee of such wild places as Chechnya, Armenia, and Georgia. Why he is attracted to these venues we never quite learn, but his quest has an interesting basis: Griffin travels into the Caucasus to try to “measure the effect one man can have on his region’s history 150 years after his death,” the man in question being the anti-Russian cleric and political leader Imam Shamil, who made life difficult for the Tsar’s empire-builders and provides inspiration for nationalists today. That quest provides a useful thread to hold together this sometimes madcap narrative as Griffin travels from one dreary Stalinist-era city, one snow-shrouded mountain pass to another, gauging the memory of Shamil and, more important, the spirit of resistance that holds Chechens, Armenians, Azerbaijanis, and other denizens of the mountains so firm in their hatred of all things Russian save rubles and vodka. There are plenty of reasons for these people to dislike their Russian neighbors. The Muslim Chechens, for instance, were deported en masse into Siberia and Kazakhstan by Stalin, who claimed they were conspiring with the Nazis. They were permitted to return only in 1957, a quarter of their number lost in exile. By the time rebellion flamed into war in 1994, writes Griffin, “Many Russians could not place Chechnya on a map, yet the Chechens had forgotten nothing about Russia.” Today the Russian army is busily destroying every building in the land capable of sheltering a sniper (that is to say, every building in the land). And so it goes, the only thing dividing the Chechens in their unified hatred of Russians being the new class system emerging from the thriving black market—enough, one might think, to scare away the equally tenacious Russians.
Lively, thoughtful, and a big help in elucidating bewildering struggles in faraway mountains.Pub Date: March 21, 2003
ISBN: 0-312-30853-1
Page Count: 256
Publisher: Dunne/St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2002
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Ludwig Bemelmans ; illustrated by Steven Salerno
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