A brilliant psychological portrait, annotated and explained with tact and sensitivity.
An "epistolary biography'' comprised of a selection of Russell's previously unpublished correspondence—mostly love letters to his wife, Alys, and to Ottoline Morrell, a married Bloomsbury courtesan—discussing his work, education, women's rights and his own priggish morality.
Griffin (Philosophy/McMaster Univ.) clearly appreciates both the cerebral "logic machine,'' as Russell called himself, and the lonely, confused, passionate lover. Descended from eccentric, politically powerful aristocrats and orphaned at an early age, Russell (1872-1970), over the objections of his grandmother, married an American Quaker five years his senior—the subject of many letters. Fearful of perpetuating the madness that had haunted both of their families, the couple avoided children but feared contraception, which Russell believed had caused his father's epilepsy. Still, the first ten years of his marriage were his most "fruitful'' as a mathematical philosopher. They were followed by ten years of dutiful devotion to his emotionally fragile wife—whom, impulsively, he had decided he didn't love. Russell did love the elusive Ottoline, however, whom he wooed with long daily letters, over one thousand of them. During a year in America, he found a cure for the gum disease that had made him repugnant to Ottoline—and he fell for another woman, 28-year-old Helen Dudley, who, as this collection concludes, was on her way to England to marry him and to bear the children he longed for. The great names are all here: Whitehead, Wittgenstein, Joseph Conrad, Gilbert Murray et al., with their brilliant minds, high causes—and dysfunctional lives. And, as these letters so pitifully reveal, Russell's strength as a philosopher—his abstract, unyielding, insular nature—prevented him from achieving the intimacy, children, and romance he craved.
A brilliant psychological portrait, annotated and explained with tact and sensitivity.Pub Date: July 15, 1992
ISBN: 0-395-56269-4
Page Count: 576
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1992
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...
Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.
The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.Pub Date: July 25, 2015
ISBN: 978-0-06-236668-9
Page Count: 368
Publisher: Dey Street/HarperCollins
Review Posted Online: May 15, 2015
Kirkus Reviews Issue: June 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
