Not a speck of warmth.
Death, disabilities and dysfunction, dryly described, fill 11 stories of unrelenting unhappiness.
Testing the limits of well-meaning readers who want to give good writers a fair chance, Montemarano, whose 2001 novel A Fine Place was rooted in the racial conflicts of Bensonhurst, offers a succession of bleakly linked stories in which people go, for the most part, from bad to worse. The opening story presents an impatient and incompetent mother who carries out a threat to leave her young, innocently disobedient daughter in the park, where she is taken away forever by a probable pedophilic murderer. The narrator is the little girl’s brother, who was doomed to live with the wretched mother and an ineffective father into permanently scarred adulthood. There is a brace of stories narrated by a young man working, in the first, as attendant to a severely disabled couple and, in the second, as attendant to the surviving husband who blames him for the death of his wife. Unable to speak, the wife could communicate solely by animal-like noises and raised eyelids. Unable to feed herself, she was in constant danger of choking, which, in fact, at the opening of the second story, she has done. The cerebral palsy–afflicted husband, disagreeable in the extreme, can speak enough to berate the narrator at every turn. When the widower invites an equally handicapped chum over to watch a Yankees game, he directs the visitor to give his own flunky the afternoon off. The overworked attendant decides to take both gents off to Yankee Stadium, but the drunken trip (the guys in the wheelchair down many beers) gets side-routed to a lap-dance parlor where disaster predictably ensues. A later story features a dog thrown to its death from a window prior to even greater tragedy. The writing is all quite smooth, but one may be reminded of those weird German kindertotenlieder, lovely songs about childhood death.
Not a speck of warmth.Pub Date: Oct. 1, 2005
ISBN: 0-8071-3122-9
Page Count: 208
Publisher: Louisiana State Univ.
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2005
It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.
Pub Date: March 28, 1990
ISBN: 0618706410
Page Count: 256
Publisher: Houghton Mifflin
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: Feb. 15, 1990
SEEN & HEARD
IN THE NEWS
SEEN & HEARD
A newcomer to watch: fresh, funny, and tough.
Seven stories, including a couple of prizewinners, from an exuberantly talented young Thai-American writer.
In the poignant title story, a young man accompanies his mother to Kok Lukmak, the last in the chain of Andaman Islands—where the two can behave like “farangs,” or foreigners, for once. It’s his last summer before college, her last before losing her eyesight. As he adjusts to his unsentimental mother’s acceptance of her fate, they make tentative steps toward the future. “Farangs,” included in Best New American Voices 2005 (p. 711), is about a flirtation between a Thai teenager who keeps a pet pig named Clint Eastwood and an American girl who wanders around in a bikini. His mother, who runs a motel after having been deserted by the boy’s American father, warns him about “bonking” one of the guests. “Draft Day” concerns a relieved but guilty young man whose father has bribed him out of the draft, and in “Don’t Let Me Die in This Place,” a bitter grandfather has moved from the States to Bangkok to live with his son, his Thai daughter-in-law, and two grandchildren. The grandfather’s grudging adjustment to the move and to his loss of autonomy (from a stroke) is accelerated by a visit to a carnival, where he urges the whole family into a game of bumper cars. The longest story, “Cockfighter,” is an astonishing coming-of-ager about feisty Ladda, 15, who watches as her father, once the best cockfighter in town, loses his status, money, and dignity to Little Jui, 16, a meth addict whose father is the local crime boss. Even Ladda is in danger, as Little Jui’s bodyguards try to abduct her. Her mother tells Ladda a family secret about her father’s failure of courage in fighting Big Jui to save his own sister’s honor. By the time Little Jui has had her father beaten and his ear cut off, Ladda has begun to realize how she must fend for herself.
A newcomer to watch: fresh, funny, and tough.Pub Date: Jan. 1, 2005
ISBN: 0-8021-1788-0
Page Count: 224
Publisher: Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2004
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