by Nicholas Montemarano ‧ RELEASE DATE: July 19, 2022
A poignant elegy for a beloved mother.
A memoir about a son grieving his dying mother.
Award-winning novelist and short story writer Montemarano chronicles his 79-year-old mother’s last days as she struggled to overcome Covid-19. At the end of 2020, she developed a cough and fever and was quickly hospitalized when her oxygen levels dropped. On Jan. 6, 2021, after an urgent call from his sister, the author left his wife and son in Pennsylvania to drive to Elkhart, Indiana, where his parents and sister lived. Among the books he took with him was e.e. cummings’ 100 Selected Poems, containing the poem that gives Montemarano his title: “if there are any heavens my mother will(all by herself)have / one.” Montemarano took his Bible, as well: “O Lord heal me for my bones are troubled / I am weary with my moaning.” Although he calls his heartbreaking memoir a “not-poem,” he writes in spare verse to reveal in intimate detail his mother’s deteriorating condition; conversations with his sister, who is a nurse, and his mother’s doctors; visits to his father, debilitated by heart disease, diabetes, and obesity; and watching “the Steelers-Browns playoff game” simultaneously with his son. All around him swirled remarks by Covid deniers (“this is just made up by Bill Gates”), anti-maskers, and a president who insists that the virus “is going to disappear.” While their mother remained in a “wait and see / precarious / critical” condition, he and his sister constantly researched treatments online (he includes his desperate search history) and talked to people about what they should do. They were, he writes, “twin sleuths looking for a magical / maybe miraculous / something.” Their mother’s good days made them hopeful; her setbacks, despondent. Finally, a physician gave them incontrovertibly bad news: Her lungs were destroyed. Wearing protective gear, Montemarano and his sister witnessed their mother’s last hours, grateful that, unlike many others, she did not die alone.
A poignant elegy for a beloved mother.Pub Date: July 19, 2022
ISBN: 978-0-89255-557-4
Page Count: 172
Publisher: Persea Books
Review Posted Online: April 25, 2022
Kirkus Reviews Issue: May 15, 2022
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by Stephanie Johnson & Brandon Stanton illustrated by Henry Sene Yee ‧ RELEASE DATE: July 12, 2022
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
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New York Times Bestseller
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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by Brandon Stanton photographed by Brandon Stanton
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by Brandon Stanton ; photographed by Brandon Stanton
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by Pamela Anderson ‧ RELEASE DATE: Jan. 31, 2023
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.
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The iconic model tells the story of her eventful life.
According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.Pub Date: Jan. 31, 2023
ISBN: 9780063226562
Page Count: 256
Publisher: Dey Street/HarperCollins
Review Posted Online: Dec. 5, 2022
Kirkus Reviews Issue: Jan. 1, 2023
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