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UNCOVERING THE HIDDEN CONNECTIONS BETWEEN LIFE AND THE UNIVERSE

A scientific tour de force that tackles the ubiquitous questions of life and meaning.

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A leading climate scientist reflects on the origins and interconnectedness of life in this sweeping nonfiction book.

“Earth had a difficult start,” Golledge writes in the book’s opening lines as he describes a planet with superheated temperatures that was “continuously assaulted by extraterrestrial impacts.” Yet, at play across the eons of Earth’s early history was a network of interconnected changes that would give rise to life. Massive lightning storms that heated clay minerals to 1,000 degrees hotter than their melting point created “fossilized storm rocks” that, when eroded over time by acid rain, provided “a continual supply of the building blocks needed for molecules such as DNA.” In Golledge’s epic, poetic retelling of the history of life through a scientific lens, he consistently emphasizes the “unseen changes that bring about gradual improvements by refining, little by little, the way a system works.” These interlocking feedback systems are the invisible hands, as the author describes them, that shape life on Earth. The rise of humans as Earth’s dominant species also contributed to reshaping the planet. By the end of the last ice age, Golledge notes, “species after species went extinct” due to the overhunting of large prey. After the book’s imposing accounts of Earth’s early history, its middle chapters provide a longue durée account of human society from early civilizations through our “coming of age” via space exploration in the 20th century.

Golledge lucidly covers the ways climate and geological feedback systems have shaped cultures and societies. “Climatic switching that could, in a geologic instant, trigger sweeping cascades of environmental change” would be interpreted by their human victims as the “Wrath of the Gods,” and civilizations developed complex religious explanations. The rise of intricate religious systems exacerbated humanity’s tribalistic tendencies, with negative outcomes such as war and persecution that fostered us-versus-them mentalities. The book’s more philosophical concluding chapters ruminate on the essential web of life, comparing our consciousness, for instance, to an old-growth forest that is “wired for healing” and provides communal protection and identity that transcends a single, isolated tree. The book’s final chapter reflects on how the scientific lens of feedback offers insights on finding beauty and meaning in life, the arts, and literature. Indeed, the book’s emphasis on culture—and its ample interdisciplinary references to literature, art, religion, philosophy, and history—make the work stand out from other scientific primers. One cannot escape the fundamental questions of philosophy, existence, and meaning when engaging with the book’s scientific inquiry. A professor of glaciology at New Zealand’s Victoria University of Wellington, Golledge is a renowned climate scientist whose work on Antarctica has appeared in dozens of peer-reviewed scientific journals and has been referenced in the New York Times, National Geographic, and more. Through measured, nonpoliticized analysis, the book also offers a damning, if subtle, rebuke of climate change denialism in its emphasis on the ways in which humans contribute to environmental degradation. As groundbreaking as his research may be, Golledge best shows his talent by distilling complicated science into an accessible, engaging work that includes a 20-page glossary. The book’s almost lyrical narrative, comparable to the metaphysical lure of Carl Sagan’s compelling commentary on the cosmos, is accompanied by almost 400 research endnotes.

A scientific tour de force that tackles the ubiquitous questions of life and meaning.

Pub Date: Nov. 21, 2023

ISBN: 9781633889330

Page Count: 264

Publisher: Prometheus Books

Review Posted Online: June 7, 2024

Kirkus Reviews Issue: Aug. 1, 2024

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THE BACKYARD BIRD CHRONICLES

An ebullient nature lover’s paean to birds.

A charming bird journey with the bestselling author.

In his introduction to Tan’s “nature journal,” David Allen Sibley, the acclaimed ornithologist, nails the spirit of this book: a “collection of delightfully quirky, thoughtful, and personal observations of birds in sketches and words.” For years, Tan has looked out on her California backyard “paradise”—oaks, periwinkle vines, birch, Japanese maple, fuchsia shrubs—observing more than 60 species of birds, and she fashions her findings into delightful and approachable journal excerpts, accompanied by her gorgeous color sketches. As the entries—“a record of my life”—move along, the author becomes more adept at identifying and capturing them with words and pencils. Her first entry is September 16, 2017: Shortly after putting up hummingbird feeders, one of the tiny, delicate creatures landed on her hand and fed. “We have a relationship,” she writes. “I am in love.” By August 2018, her backyard “has become a menagerie of fledglings…all learning to fly.” Day by day, she has continued to learn more about the birds, their activities, and how she should relate to them; she also admits mistakes when they occur. In December 2018, she was excited to observe a Townsend’s Warbler—“Omigod! It’s looking at me. Displeased expression.” Battling pesky squirrels, Tan deployed Hot Pepper Suet to keep them away, and she deterred crows by hanging a fake one upside down. The author also declared war on outdoor cats when she learned they kill more than 1 billion birds per year. In May 2019, she notes that she spends $250 per month on beetle larvae. In June 2019, she confesses “spending more hours a day staring at birds than writing. How can I not?” Her last entry, on December 15, 2022, celebrates when an eating bird pauses, “looks and acknowledges I am there.”

An ebullient nature lover’s paean to birds.

Pub Date: April 23, 2024

ISBN: 9780593536131

Page Count: 320

Publisher: Knopf

Review Posted Online: Jan. 19, 2024

Kirkus Reviews Issue: Feb. 15, 2024

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ELON MUSK

Alternately admiring and critical, unvarnished, and a closely detailed account of a troubled innovator.

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A warts-and-all portrait of the famed techno-entrepreneur—and the warts are nearly beyond counting.

To call Elon Musk (b. 1971) “mercurial” is to undervalue the term; to call him a genius is incorrect. Instead, Musk has a gift for leveraging the genius of others in order to make things work. When they don’t, writes eminent biographer Isaacson, it’s because the notoriously headstrong Musk is so sure of himself that he charges ahead against the advice of others: “He does not like to share power.” In this sharp-edged biography, the author likens Musk to an earlier biographical subject, Steve Jobs. Given Musk’s recent political turn, born of the me-first libertarianism of the very rich, however, Henry Ford also comes to mind. What emerges clearly is that Musk, who may or may not have Asperger’s syndrome (“Empathy did not come naturally”), has nurtured several obsessions for years, apart from a passion for the letter X as both a brand and personal name. He firmly believes that “all requirements should be treated as recommendations”; that it is his destiny to make humankind a multi-planetary civilization through innovations in space travel; that government is generally an impediment and that “the thought police are gaining power”; and that “a maniacal sense of urgency” should guide his businesses. That need for speed has led to undeniable successes in beating schedules and competitors, but it has also wrought disaster: One of the most telling anecdotes in the book concerns Musk’s “demon mode” order to relocate thousands of Twitter servers from Sacramento to Portland at breakneck speed, which trashed big parts of the system for months. To judge by Isaacson’s account, that may have been by design, for Musk’s idea of creative destruction seems to mean mostly chaos.

Alternately admiring and critical, unvarnished, and a closely detailed account of a troubled innovator.

Pub Date: Sept. 12, 2023

ISBN: 9781982181284

Page Count: 688

Publisher: Simon & Schuster

Review Posted Online: Sept. 12, 2023

Kirkus Reviews Issue: Oct. 15, 2023

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