A cornucopia of factoids and fun asides bursting with a wealth of in-depth information on every aspect of sneakers, from...
In his first book, journalist Smith follows his fascination, sprinting through the evolution of the planet’s hippest, most popular footwear, a history that goes way beyond sports and into the streets of the youth culture.
The tale begins with inventor Charles Goodyear, whose innovations and patents on rubber laid the basis for all things sneaker to come. Combine these innovations with a demand for sports footwear, and an industry was born. From the expansion of soccer and rugby, men’s and women’s tennis, the rebirth of the Olympic games, and the 1891 invention of basketball, the turn-of-the-20th-century sports explosion created an increasing proliferation of athletes—along with thousands of feet needing protection. As the author demonstrates, with the professionalization of sports through the coming decades and events like the 1960s creation of jogging as a pastime, the demand for sneakers continued to grow—and it hasn’t lost any momentum in the new millennium. The demand for sneakers today often boils down to status (“some people will wait in line for days to get kicks no one else has”) rather than utility, and Smith details how ingenious media campaigns such as Spike Lee’s Mars Blackmon/Michael Jordan ads spawned an all-new fashion boom beginning in 1988, with Nike selling millions of pairs of Air Jordan sneakers for their creative efforts. Today, with sneakers dominating the streets on the feet of the youth, the author explains that this universal footwear has become the latest symbol of globalization. With that symbolism, new controversies abound. Aside from sneaker manufacturers still battling to overcome stigmas of sweatshop conditions and poverty wages, they walk a fine line in marketing their wares as the popularity of gangster fashion grows in the street culture.
A cornucopia of factoids and fun asides bursting with a wealth of in-depth information on every aspect of sneakers, from their birth to their current and continuing explosive popularity.Pub Date: May 1, 2018
ISBN: 978-0-451-49811-3
Page Count: 320
Publisher: Crown
Review Posted Online: March 23, 2018
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.
Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."
Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."
However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.Pub Date: Feb. 1, 1969
ISBN: 0375507892
Page Count: 235
Publisher: Random House
Review Posted Online: May 14, 2012
Kirkus Reviews Issue: Feb. 1, 1969
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