by Nicholas Tana ; illustrated by Jessica Abbott & Elise Leutwyler ‧ RELEASE DATE: Oct. 7, 2019
A reassuring message wrapped in rib-tickling humor.
Awards & Accolades
Our Verdict
GET IT
A little boy learns he has nothing to fear from monsters as long as his baby sister is around.
“Everybody knows” that “monsters are afraid of babies!” In this sweet, wacky picture book, motley, frightful monsters become scared when confronted by a boy’s baby sister. As her brother looks on, the googly-eyed, lumpy, toothy, horned beasts of various sizes, shapes, and colors observe his little sister with alarm as she toddles through the house making messes, causing chaos, and bringing the monsters to tears by outdoing their “sticky and icky” and “loud and stinky” ways. Using comedy to calm children’s nighttime fears of monsters in the closet or under the bed and to help them see their maddening, drooling little sibling in a new light, the work is one of a series of three books launching a new publishing imprint by writer, director, and musician Tana (The Kitten, the Cat & the Apple, 2019, etc.). The loosely rhyming text is large and well spaced, and young readers and lapsitters will enjoy repeating the funny sound effects peppered throughout the story (“ERGG…DROOOOO…GUBB”). The team of Abbott and Leutwyler (King of Glee, 2019), which pictures the boy and his sister with beige-ish skin and dark brown eyes and hair—in the baby’s case, just one little curl spiraling up from the top of her head—has great fun with the witty depictions of the sadly intimidated monsters.
A reassuring message wrapped in rib-tickling humor.Pub Date: Oct. 7, 2019
ISBN: 978-1-950033-00-3
Page Count: 26
Publisher: New Classics Pr Llc
Review Posted Online: Dec. 16, 2019
Kirkus Reviews Issue: March 1, 2020
Review Program: Kirkus Indie
Share your opinion of this book
More by Nicholas Tana
BOOK REVIEW
by Nicholas Tana illustrated by Jessie Fox Matthew Molleur
by Josh Schneider & illustrated by Josh Schneider ‧ RELEASE DATE: May 1, 2011
Broccoli: No way is James going to eat broccoli. “It’s disgusting,” says James. Well then, James, says his father, let’s consider the alternatives: some wormy dirt, perhaps, some stinky socks, some pre-chewed gum? James reconsiders the broccoli, but—milk? “Blech,” says James. Right, says his father, who needs strong bones? You’ll be great at hide-and-seek, though not so great at baseball and kickball and even tickling the dog’s belly. James takes a mouthful. So it goes through lumpy oatmeal, mushroom lasagna and slimy eggs, with James’ father parrying his son’s every picky thrust. And it is fun, because the father’s retorts are so outlandish: the lasagna-making troll in the basement who will be sent back to the rat circus, there to endure the rodent’s vicious bites; the uneaten oatmeal that will grow and grow and probably devour the dog that the boy won’t be able to tickle any longer since his bones are so rubbery. Schneider’s watercolors catch the mood of gentle ribbing, the looks of bewilderment and surrender and the deadpanned malarkey. It all makes James’ father’s last urging—“I was just going to say that you might like them if you tried them”—wholly fresh and unexpected advice. (Early reader. 5-9)
Pub Date: May 1, 2011
ISBN: 978-0-547-14956-1
Page Count: 48
Publisher: Clarion Books
Review Posted Online: April 4, 2011
Kirkus Reviews Issue: April 1, 2011
Share your opinion of this book
More by Josh Schneider
BOOK REVIEW
by Josh Schneider ; illustrated by Josh Schneider
BOOK REVIEW
by Josh Schneider ; illustrated by Josh Schneider
BOOK REVIEW
by Josh Schneider ; illustrated by Josh Schneider
by Chloe Perkins ; illustrated by Sandra Equihua ‧ RELEASE DATE: Sept. 13, 2016
A nice but not requisite purchase.
A retelling of the classic fairy tale in board-book format and with a Mexican setting.
Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.
A nice but not requisite purchase. (Board book/fairy tale. 3-5)Pub Date: Sept. 13, 2016
ISBN: 978-1-4814-7915-8
Page Count: 24
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Oct. 11, 2016
Kirkus Reviews Issue: Jan. 1, 2017
Share your opinion of this book
More In The Series
adapted by Hannah Eliot ; illustrated by Nivea Ortiz
by Chloe Perkins ; illustrated by Dinara Mirtalipova
by Chloe Perkins ; illustrated by Archana Sreenivasan
More by Chloe Perkins
BOOK REVIEW
by Chloe Perkins ; illustrated by Dinara Mirtalipova
BOOK REVIEW
by Chloe Perkins ; illustrated by Archana Sreenivasan
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.