by Nicholson Baker ‧ RELEASE DATE: July 21, 2020
Readers should be impressed by Baker’s persistence, and most will end up charmed, however obliquely, by his obsessions.
The versatile author of fiction and nonfiction chronicles his “not entirely successful efforts to squeeze germs of truth from the sanitized documentary record of the U.S. government.”
In his latest, Baker, a winner of the National Book Critics Circle Award for Nonfiction, among others, writes about his work from March 9, 2019 through May 19, 2019. During those months, he intensively explored mountains of documents to determine whether the government deployed illegal biological weapons during the Korean War. To search for truth about the biological weapons, Baker sent Freedom of Information Act requests to numerous government agencies, and he received radio silence. The daily diary pings between the flaws in the FIA—a 1966 law meant to encourage transparency by federal agencies—and the substance of what the author gleaned about biological warfare. To lighten a relentlessly downbeat narrative, Baker, ever articulate and witty, also introduces readers to his Maine home, which he shares with his wife and dogs, as well as the local weather, walks in the nearby wilderness, and other elements of his daily life. For readers who care about government openness, the narrative will be simultaneously illuminating and profoundly depressing. Because Congress failed to include enforcement mechanisms other than the possibility of time-consuming, expensive lawsuits, government agencies subject to the FIA violate it with impunity and suffer no penalties as a result. The custodians of the records often treat the documents as personal property rather than information financed, and thus owned, by taxpayers. The leading villains in Baker’s saga, which he aptly describes as “a sort of case study, or diary, or daily meditation, on the pathology of government secrecy,” are the Air Force, Army, and CIA, and his disclosures are rarely banal but rather consistently provocative and disturbing. Using both direct and circumstantial evidence, the author suggests that illegal weapons have been used against North Korea and perhaps against so-called enemy forces in other nations.
Readers should be impressed by Baker’s persistence, and most will end up charmed, however obliquely, by his obsessions.Pub Date: July 21, 2020
ISBN: 978-0-7352-1575-7
Page Count: 464
Publisher: Penguin Press
Review Posted Online: March 3, 2020
Kirkus Reviews Issue: April 1, 2020
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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