By the close, the engaging Carr family is restored whole, even as it realizes—and as the author reminds us with his...
Another delightful comedy from Hornby (High Fidelity, 1995, etc.), this one about a woman whose plans to divorce her crabby husband are sidetracked by his sudden, if loony, embrace of saintliness.
Though the 72-hour metamorphosis is a bit of a stretch, no matter: this hilarious romp entirely justifies the wise reader’s agreement to play along. Narrator Katie Carr, a 40-something doctor in England’s National Health Service, finds herself disenchanted with her marriage and in the midst of an affair. Husband David, a newspaper columnist known as “the Angriest Man in Holloway,” is insufferably cynical and absorbed by his public spleen-spitting. Katie feels forgotten. She confides the affair and suggests a divorce; David instructs her to tell their two children during his three-day absence; she dithers, and when David returns he apologizes for not loving her properly. It seems he has begun receiving “treatments” from DJ GoodNews, whose impeccably beneficent persona persuades David to embrace the love in the world and nourish it as he can. The divorce is called off, and DJ and David begin tackling the problem of homeless children in Holloway by persuading neighbors to take individual kids for a year or so. Soon, a homeless boy named Monkey is eating at the Carr table, and David is giving away his children’s prized toys. Thus begins a series of several remarkable schemes rendered with an entertaining mix of humor and delicately suggestive questioning. Hasn’t Katie, a doctor who helps the afflicted, always been the good one after all? Just what does it mean to be “good”? Hornby’s quick eye and nimble observational style nail everyone's vanity, but they all come in for their moment of insight as well.
By the close, the engaging Carr family is restored whole, even as it realizes—and as the author reminds us with his characteristic sprightly fatalism—that they still inhabit an empty universe.Pub Date: July 9, 2001
ISBN: 1-57322-193-7
Page Count: 304
Publisher: Riverhead
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 2001
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of...
Lifelong, conflicted friendship of two women is the premise of Hannah’s maudlin latest (Magic Hour, 2006, etc.), again set in Washington State.
Tallulah “Tully” Hart, father unknown, is the daughter of a hippie, Cloud, who makes only intermittent appearances in her life. Tully takes refuge with the family of her “best friend forever,” Kate Mularkey, who compares herself unfavorably with Tully, in regards to looks and charisma. In college, “TullyandKate” pledge the same sorority and major in communications. Tully has a life goal for them both: They will become network TV anchorwomen. Tully lands an internship at KCPO-TV in Seattle and finagles a producing job for Kate. Kate no longer wishes to follow Tully into broadcasting and is more drawn to fiction writing, but she hesitates to tell her overbearing friend. Meanwhile a love triangle blooms at KCPO: Hard-bitten, irresistibly handsome, former war correspondent Johnny is clearly smitten with Tully. Expecting rejection, Kate keeps her infatuation with Johnny secret. When Tully lands a reporting job with a Today-like show, her career shifts into hyperdrive. Johnny and Kate had started an affair once Tully moved to Manhattan, and when Kate gets pregnant with daughter Marah, they marry. Kate is content as a stay-at-home mom, but frets about being Johnny’s second choice and about her unrealized writing ambitions. Tully becomes Seattle’s answer to Oprah. She hires Johnny, which spells riches for him and Kate. But Kate’s buttons are fully depressed by pitched battles over slutwear and curfews with teenaged Marah, who idolizes her godmother Tully. In an improbable twist, Tully invites Kate and Marah to resolve their differences on her show, only to blindside Kate by accusing her, on live TV, of overprotecting Marah. The BFFs are sundered. Tully’s latest attempt to salvage Cloud fails: The incorrigible, now geriatric hippie absconds once more. Just as Kate develops a spine, she’s given some devastating news. Will the friends reconcile before it’s too late?
Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of poignancy.Pub Date: Feb. 1, 2008
ISBN: 978-0-312-36408-3
Page Count: 496
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2007
BOOK TO SCREEN
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