Few can match the muted humor, lingering poignancy and depth with which Hornby (A Long Way Down, 2005, etc.) limns his...
British woman finds herself in an intimate e-mail relationship with the obscure ’80s rock star her music-obsessed ex idolizes.
Annie can understand liking American singer-songwriter Tucker Crowe. After all, his masterful breakup album, Juliet, is one of her favorites. The problem is that her longtime live-in boyfriend Duncan (an older, sadder version of Rob in Hornby’s High Fidelity, 1995) lives and breathes Tucker Crowe, to the exclusion of having an actual grown-up life. After 15 years, Annie realizes she has wasted her childbearing prime tied to a man who feels more passion for a reclusive musician than he could ever muster for her. Duncan then makes it easy for Annie to kick him out by cheating on her with Gina, a new performing-arts instructor at the school where he teaches. In the meantime, Annie has inadvertently begun a web correspondence with Tucker himself, who finds her through an astute post she leaves on one of Duncan’s geeky fan sites. The years have not been kind to Tucker, who lives in suburban Pennsylvania with his young son. His life bears little resemblance to the legend that has grown up around his disappearance more than 20 years earlier. Their meaningful exchanges awaken feelings in Annie that she had nearly given up on, while also giving her a vicarious thrill over one-upping Duncan. Tucker likes her too, finding her wit and kindness refreshing after years of chasing models. Living in a sleepy English seaside town, Annie has little hope of actually meeting her correspondent, but when a family drama brings Tucker to London, she sees an opportunity for adventure—and more. Tucker arrives, personal baggage in tow, and what happens next transforms both their lives in ways they could not have anticipated.
Few can match the muted humor, lingering poignancy and depth with which Hornby (A Long Way Down, 2005, etc.) limns his forgivably human characters.Pub Date: Sept. 29, 2009
ISBN: 978-1-59448-887-0
Page Count: 416
Publisher: Riverhead
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2009
Absolutely enthralling. Read it.
A young Irish couple gets together, splits up, gets together, splits up—sorry, can't tell you how it ends!
Irish writer Rooney has made a trans-Atlantic splash since publishing her first novel, Conversations With Friends, in 2017. Her second has already won the Costa Novel Award, among other honors, since it was published in Ireland and Britain last year. In outline it's a simple story, but Rooney tells it with bravura intelligence, wit, and delicacy. Connell Waldron and Marianne Sheridan are classmates in the small Irish town of Carricklea, where his mother works for her family as a cleaner. It's 2011, after the financial crisis, which hovers around the edges of the book like a ghost. Connell is popular in school, good at soccer, and nice; Marianne is strange and friendless. They're the smartest kids in their class, and they forge an intimacy when Connell picks his mother up from Marianne's house. Soon they're having sex, but Connell doesn't want anyone to know and Marianne doesn't mind; either she really doesn't care, or it's all she thinks she deserves. Or both. Though one time when she's forced into a social situation with some of their classmates, she briefly fantasizes about what would happen if she revealed their connection: "How much terrifying and bewildering status would accrue to her in this one moment, how destabilising it would be, how destructive." When they both move to Dublin for Trinity College, their positions are swapped: Marianne now seems electric and in-demand while Connell feels adrift in this unfamiliar environment. Rooney's genius lies in her ability to track her characters' subtle shifts in power, both within themselves and in relation to each other, and the ways they do and don't know each other; they both feel most like themselves when they're together, but they still have disastrous failures of communication. "Sorry about last night," Marianne says to Connell in February 2012. Then Rooney elaborates: "She tries to pronounce this in a way that communicates several things: apology, painful embarrassment, some additional pained embarrassment that serves to ironise and dilute the painful kind, a sense that she knows she will be forgiven or is already, a desire not to 'make a big deal.' " Then: "Forget about it, he says." Rooney precisely articulates everything that's going on below the surface; there's humor and insight here as well as the pleasure of getting to know two prickly, complicated people as they try to figure out who they are and who they want to become.
Absolutely enthralling. Read it.Pub Date: April 16, 2019
ISBN: 978-1-984-82217-8
Page Count: 288
Publisher: Hogarth
Review Posted Online: Feb. 17, 2019
Kirkus Reviews Issue: March 1, 2019
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"This soil," concludes the young narrator of this quiet chronicle of garrotted innocence, "is bad for all kinds of flowers. Certain seeds it will not nurture, certain fruit it will not bear." And among the exclusions of white rural Ohio, echoed by black respectability, is ugly, black, loveless, twelve-year-old Pecola. But in a world where blue-eyed gifts are clucked over and admired, and the Pecolas are simply not seen, there is always the possibility of the dream and wish—for blue eyes. Born of a mother who adjusted her life to the clarity and serenity of white households and "acquired virtues that were easy to maintain" and a father, Cholly, stunted by early rejections and humiliations, Pecola just might have been loved—for in raping his daughter Cholly did at least touch her. But "Love is never better than the lover," and with the death of her baby, the child herself, accepting absolutely the gift of blue eyes from a faith healer (whose perverse interest in little girls does not preclude understanding), inches over into madness. A skillful understated tribute to the fall of a sparrow for whose small tragedy there was no watching eye.
Pub Date: Oct. 29, 1970
ISBN: 0375411550
Page Count: -
Publisher: Holt Rinehart & Winston
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: Oct. 1, 1970
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