Hornby is as charming as ever in this nimble, optimistic take on the social novel.
Love in the time of Brexit: A 42-year-old white schoolteacher falls for the 22-year-old black kid behind the counter at the butcher shop.
“It was a time when everyone was vowing never to forgive people. Politicians were never going to be forgiven for what they had done, friends and family were never going to be forgiven for the way they had voted, for what they had said, maybe even for what they thought. Most of the time, people were not being forgiven for being themselves.…And could you only love someone who thought the same way as you, or were there other bridges to be built further up the river?” Hornby’s latest focuses on an interracial, intergenerational relationship that begins a few months before the Brexit vote in 2016 and continues through the U.S.'s own bummer election, with a final chapter skipping ahead two years. Finally separated from the atrocious and not-quite-yet-recovered alcoholic she married, Lucy is ready to brave the dating pool and asks the young man who wraps up her roasts whether he knows anyone who might babysit. Her sons, devoted soccer players, are 10 and 8. Joseph is already babysitting for another family as well as coaching soccer, working at the public rec center, and DJ-ing to make ends meet—“a portfolio,” as an acquaintance encouragingly describes it—while still living at home with his mum. He takes the job, and when Lucy’s first couple of setups fizzle, the two give in to their urges. As smoothly as they fit together when it’s just the two of them (they think they’re hiding it from the boys), there’s friction galore once they leave the house. The race thing, the age thing, and then there’s Brexit. Everyone Lucy knows is voting "stay" while Joseph’s dad, who works construction, is voting "leave." The guy who owns the butcher shop wants to put up whichever poster will be best for business, and most of Joseph’s friends can’t be bothered to care. The fans Hornby has won with his comely backlist—High Fidelity (1995), About A Boy (1998), How To Be Good (2001), etc.—might not change their favorite but they won’t be disappointed.
Hornby is as charming as ever in this nimble, optimistic take on the social novel.Pub Date: Sept. 29, 2020
ISBN: 978-0-593-19138-5
Page Count: 368
Publisher: Riverhead
Review Posted Online: June 2, 2020
Kirkus Reviews Issue: June 15, 2020
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
"Don't go into the woods" takes on unsettling new meaning in Moore's blend of domestic drama and crime novel.
Many years after her older brother, Bear, went missing, Barbara Van Laar vanishes from the same sleepaway camp he did, leading to dark, bitter truths about her wealthy family.
One morning in 1975 at Camp Emerson—an Adirondacks summer camp owned by her family—it's discovered that 13-year-old Barbara isn't in her bed. A problem case whose unhappily married parents disdain her goth appearance and "stormy" temperament, Barbara is secretly known by one bunkmate to have slipped out every night after bedtime. But no one has a clue where's she permanently disappeared to, firing speculation that she was taken by a local serial killer known as Slitter. As Jacob Sluiter, he was convicted of 11 murders in the 1960s and recently broke out of prison. He's the one, people say, who should have been prosecuted for Bear's abduction, not a gardener who was framed. Leave it to the young and unproven assistant investigator, Judy Luptack, to press forward in uncovering the truth, unswayed by her bullying father and male colleagues who question whether women are "cut out for this work." An unsavory group portrait of the Van Laars emerges in which the children's father cruelly abuses their submissive mother, who is so traumatized by the loss of Bear—and the possible role she played in it—that she has no love left for her daughter. Picking up on the themes of families in search of themselves she explored in Long Bright River (2020), Moore draws sympathy to characters who have been subjected to spousal, parental, psychological, and physical abuse. As rich in background detail and secondary mysteries as it is, this ever-expansive, intricate, emotionally engaging novel never seems overplotted. Every piece falls skillfully into place and every character, major and minor, leaves an imprint.
"Don't go into the woods" takes on unsettling new meaning in Moore's blend of domestic drama and crime novel.Pub Date: July 2, 2024
ISBN: 9780593418918
Page Count: 496
Publisher: Riverhead
Review Posted Online: April 13, 2024
Kirkus Reviews Issue: May 15, 2024
PERSPECTIVES
SEEN & HEARD
SEEN & HEARD
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