Another sharply observed book by a very funny writer, though this time there’s more charm than depth.
Laird (Utterly Monkey, 2006, and the husband of novelist Zadie Smith) returns with a comedy of manners concerning romance in the transcontinental art world.
A native of Northern Ireland who later lived in London and now teaches in New York, Laird has positioned himself perfectly with this book. The fast-paced setup quickly engages the reader: A 35-year-old teacher and sometimes art blogger named David Pinner learns of a London exhibition by his former teacher, an American artist named Ruth Marks. David remembers Ruth as having a profound effect on his life, and he was apparently more than a little smitten with her, but an age gap of 13 years seemed insurmountable then. David remains undaunted when Ruth has no memory of him, and the two renew (or start) a friendship that David plainly hopes will blossom into something more. Yet his wishes go awry once Ruth meets David’s 23-year-old flat mate, James Glover, a bartender who is considerably less cultured but much better looking. Perhaps because she inhabits a world of aesthetics, the thrice-married Ruth falls hard for this innocent less than half her age, though some crucial character revelations make it hard for them to consummate their relationship. Though James is the titular character, the novel is more about David—how he seethes and schemes, revealing so much of his character in his attempts to subvert the relationship between the two people to whom he apparently feels closest. There’s a romantic triangle, though Ruth barely acknowledges David’s interest as more than friendship (making him feel “like a eunuch,”) while James intuits that David might be more jealous of Ruth’s claim on James than vice versa. As David begins an online flirtation and continues to write supercilious, self-serving blog entries for the deliciously named Damp Review, the reader must discover whether Ruth or David is James Glover’s Mistake.
Another sharply observed book by a very funny writer, though this time there’s more charm than depth.Pub Date: July 13, 2009
ISBN: 978-0-670-02097-3
Page Count: 256
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2009
BOOK REVIEW
BOOK REVIEW
Absolutely enthralling. Read it.
A young Irish couple gets together, splits up, gets together, splits up—sorry, can't tell you how it ends!
Irish writer Rooney has made a trans-Atlantic splash since publishing her first novel, Conversations With Friends, in 2017. Her second has already won the Costa Novel Award, among other honors, since it was published in Ireland and Britain last year. In outline it's a simple story, but Rooney tells it with bravura intelligence, wit, and delicacy. Connell Waldron and Marianne Sheridan are classmates in the small Irish town of Carricklea, where his mother works for her family as a cleaner. It's 2011, after the financial crisis, which hovers around the edges of the book like a ghost. Connell is popular in school, good at soccer, and nice; Marianne is strange and friendless. They're the smartest kids in their class, and they forge an intimacy when Connell picks his mother up from Marianne's house. Soon they're having sex, but Connell doesn't want anyone to know and Marianne doesn't mind; either she really doesn't care, or it's all she thinks she deserves. Or both. Though one time when she's forced into a social situation with some of their classmates, she briefly fantasizes about what would happen if she revealed their connection: "How much terrifying and bewildering status would accrue to her in this one moment, how destabilising it would be, how destructive." When they both move to Dublin for Trinity College, their positions are swapped: Marianne now seems electric and in-demand while Connell feels adrift in this unfamiliar environment. Rooney's genius lies in her ability to track her characters' subtle shifts in power, both within themselves and in relation to each other, and the ways they do and don't know each other; they both feel most like themselves when they're together, but they still have disastrous failures of communication. "Sorry about last night," Marianne says to Connell in February 2012. Then Rooney elaborates: "She tries to pronounce this in a way that communicates several things: apology, painful embarrassment, some additional pained embarrassment that serves to ironise and dilute the painful kind, a sense that she knows she will be forgiven or is already, a desire not to 'make a big deal.' " Then: "Forget about it, he says." Rooney precisely articulates everything that's going on below the surface; there's humor and insight here as well as the pleasure of getting to know two prickly, complicated people as they try to figure out who they are and who they want to become.
Absolutely enthralling. Read it.Pub Date: April 16, 2019
ISBN: 978-1-984-82217-8
Page Count: 288
Publisher: Hogarth
Review Posted Online: Feb. 17, 2019
Kirkus Reviews Issue: March 1, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
"This soil," concludes the young narrator of this quiet chronicle of garrotted innocence, "is bad for all kinds of flowers. Certain seeds it will not nurture, certain fruit it will not bear." And among the exclusions of white rural Ohio, echoed by black respectability, is ugly, black, loveless, twelve-year-old Pecola. But in a world where blue-eyed gifts are clucked over and admired, and the Pecolas are simply not seen, there is always the possibility of the dream and wish—for blue eyes. Born of a mother who adjusted her life to the clarity and serenity of white households and "acquired virtues that were easy to maintain" and a father, Cholly, stunted by early rejections and humiliations, Pecola just might have been loved—for in raping his daughter Cholly did at least touch her. But "Love is never better than the lover," and with the death of her baby, the child herself, accepting absolutely the gift of blue eyes from a faith healer (whose perverse interest in little girls does not preclude understanding), inches over into madness. A skillful understated tribute to the fall of a sparrow for whose small tragedy there was no watching eye.
Pub Date: Oct. 29, 1970
ISBN: 0375411550
Page Count: -
Publisher: Holt Rinehart & Winston
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: Oct. 1, 1970
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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