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UTTERLY MONKEY

Of the Nicks who write about young men coming to terms with their cluelessness, Laird is funnier and edgier than Hornby.

Raise a pint of Guinness to this debut novel of Northern Ireland that combines humor and heart with subversive intelligence.

The plot pivots on the relationship of two young men from opposite sides of the class divide, who forged a bond in boyhood and who reunite in London after their lives have taken them in different directions. Danny Williams is an upwardly mobile lawyer at a high-pressure firm. Geordie Wilson, Danny’s boyhood Irish schoolmate, has become an unemployed drifter who doesn’t know where to turn after he runs afoul of a gang of political hooligans. He seeks asylum with a surprised Danny, who has trouble accommodating this rough-edged reminder of his small-town past within the upscale urbanity to which he aspires. Complications ensue, as Geordie’s troubles (and those of Northern Ireland) follow him to London, while Danny’s legal research takes him back to his homeland, where he discovers how difficult it can be to disregard the consequences of his work-for-hire. Over the course of the six days detailed within the novel, Danny and Geordie find their lives further complicated by budding romances (or at least sexual dalliances), as their new girlfriends help the unlikely friends explore emotional depths they never knew they had. As Danny stumbles into bed with a woman he perhaps doesn’t deserve, Laird perfectly captures the urgency and awkwardness of intimacy between two folks who barely know each other. Having established a reputation as a prize-winning poet (and perhaps best known as the husband of novelist Zadie Smith), Laird doesn’t concern himself too much with plausibility of plot, but his keen eye for detail and ear for dialect—along with the empathy he displays for his diverse array of characters—give the writing a richness beyond the chance encounters and coincidences on which the novel relies.

Of the Nicks who write about young men coming to terms with their cluelessness, Laird is funnier and edgier than Hornby.

Pub Date: Jan. 3, 2006

ISBN: 0-06-082836-6

Page Count: 368

Publisher: Perennial/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 2005

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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