Of the Nicks who write about young men coming to terms with their cluelessness, Laird is funnier and edgier than Hornby.
Raise a pint of Guinness to this debut novel of Northern Ireland that combines humor and heart with subversive intelligence.
The plot pivots on the relationship of two young men from opposite sides of the class divide, who forged a bond in boyhood and who reunite in London after their lives have taken them in different directions. Danny Williams is an upwardly mobile lawyer at a high-pressure firm. Geordie Wilson, Danny’s boyhood Irish schoolmate, has become an unemployed drifter who doesn’t know where to turn after he runs afoul of a gang of political hooligans. He seeks asylum with a surprised Danny, who has trouble accommodating this rough-edged reminder of his small-town past within the upscale urbanity to which he aspires. Complications ensue, as Geordie’s troubles (and those of Northern Ireland) follow him to London, while Danny’s legal research takes him back to his homeland, where he discovers how difficult it can be to disregard the consequences of his work-for-hire. Over the course of the six days detailed within the novel, Danny and Geordie find their lives further complicated by budding romances (or at least sexual dalliances), as their new girlfriends help the unlikely friends explore emotional depths they never knew they had. As Danny stumbles into bed with a woman he perhaps doesn’t deserve, Laird perfectly captures the urgency and awkwardness of intimacy between two folks who barely know each other. Having established a reputation as a prize-winning poet (and perhaps best known as the husband of novelist Zadie Smith), Laird doesn’t concern himself too much with plausibility of plot, but his keen eye for detail and ear for dialect—along with the empathy he displays for his diverse array of characters—give the writing a richness beyond the chance encounters and coincidences on which the novel relies.
Of the Nicks who write about young men coming to terms with their cluelessness, Laird is funnier and edgier than Hornby.Pub Date: Jan. 3, 2006
ISBN: 0-06-082836-6
Page Count: 368
Publisher: Perennial/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2005
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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