by Nick McDonell ‧ RELEASE DATE: Aug. 1, 2009
A novel for the head more than the heart, but so very intelligent that for a certain kind of reader it will be catnip.
McDonell’s dark, relentlessly readable latest (The Third Brother, 2005, etc.) swings back and forth between Harvard and Africa, and in both cases the education is indeed expensive.
At Harvard, brainy, beautiful professor Susan Lowell prepares to attend the party celebrating her just-earned Pulitzer. Meticulously researched, her book centers on an East African freedom fighter named Hatashil, an authentic folk hero, in Susan’s enthusiastic rendering. But hold everything. Reports have begun circulating of a brutal, bloody atrocity that has wiped out every man, woman and child in a small African village near the Kenya-Somalia border. Informed sources are labeling it “Hatashil’s Massacre.” Suddenly General Hatashil is looking downright genocidal, and is that egg besmirching Susan’s lovely face? Once noticeably in Hatashil’s corner, the U.S. government is backpedaling furiously to get out of it, leaving Susan noticeably alone. Criticism mounts, along with ugly talk about an undeserved prize that perhaps ought to be rescinded. The Crimson attacks her; students want to drop her courses. Cut to Michael Teak, a young Harvard graduate currently in the employ of U.S. intelligence. A linguist and athlete, Michael is also outstandingly courageous and lethally resourceful—a thinking man’s Rambo, as it were. In addition, he’s the only living witness to what actually happened in that ill-fated African village. But will he do the right thing? Will Susan? The 20-something author keeps his smart, ambitious, self-absorbed characters at arm’s-length, doling out understanding and compassion to them while withholding real affection.
A novel for the head more than the heart, but so very intelligent that for a certain kind of reader it will be catnip.Pub Date: Aug. 1, 2009
ISBN: 978-0-8021-1893-6
Page Count: 256
Publisher: Atlantic Monthly
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2009
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by Robert Harris ‧ RELEASE DATE: Nov. 22, 2016
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...
Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.
Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: He’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.Pub Date: Nov. 22, 2016
ISBN: 978-0-451-49344-6
Page Count: 304
Publisher: Knopf
Review Posted Online: Sept. 6, 2016
Kirkus Reviews Issue: Sept. 15, 2016
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Donna Tartt ‧ RELEASE DATE: Sept. 16, 1992
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
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by Donna Tartt
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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