An eloquent and compelling study.
A bestselling novelist and journalist reflects on how the ruling class perpetuates its own privilege.
McDonell (b. 1984) grew up in a wealthy, well-connected Manhattan family. His mother is a writer, and his father has served as an editor at Rolling Stone, Newsweek, Esquire, and Sports Illustrated. Friendships with Upper East Side elites, attendance at prestigious schools like Buckley, Harvard, and Oxford, and travel to exotic locations were all part of his birthright within “The Fortress” of privilege. Where he differed from many of his peers was in how close he stood to the “ninety-nine percent.” Just one generation removed from the working- and middle-class families that made them, the author's new-rich father and mother understood “how rare” their son’s upbringing was. McDonell only began to see how charmed that life really was after his parents connected him to a publisher who helped transform his writing aspirations into a lucrative career. The author readily admits that he, like all members of The Fortress, existed within a bubble that spared them from “the societal traumas of racism, poverty [and] state violence. We never even had to wait in line, really.” Set apart from the realities of those living difficult, just-scraping-by lives, they were also encouraged to believe in the meritocracy that masked “a profound entitlement” to the resources that supported a luxurious lifestyle—just as they were taught the (superficial) lessons of noblesse oblige that ultimately did little to change a global system designed to benefit them. Like Quiet Street, the stretch of East Harlem through which Buckley sporting event buses sometimes ran, wealth demanded moving in denial of race and class violence rather than actively speaking out against social injustice. As McDonell illuminates a rarified world of money, power, and connections, he also offers candidly sobering insight into the systemic cultural mechanisms designed to protect long-standing social inequalities.
An eloquent and compelling study.Pub Date: Aug. 22, 2023
ISBN: 9780593316788
Page Count: 144
Publisher: Pantheon
Review Posted Online: April 24, 2023
Kirkus Reviews Issue: May 15, 2023
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An ebullient nature lover’s paean to birds.
A charming bird journey with the bestselling author.
In his introduction to Tan’s “nature journal,” David Allen Sibley, the acclaimed ornithologist, nails the spirit of this book: a “collection of delightfully quirky, thoughtful, and personal observations of birds in sketches and words.” For years, Tan has looked out on her California backyard “paradise”—oaks, periwinkle vines, birch, Japanese maple, fuchsia shrubs—observing more than 60 species of birds, and she fashions her findings into delightful and approachable journal excerpts, accompanied by her gorgeous color sketches. As the entries—“a record of my life”—move along, the author becomes more adept at identifying and capturing them with words and pencils. Her first entry is September 16, 2017: Shortly after putting up hummingbird feeders, one of the tiny, delicate creatures landed on her hand and fed. “We have a relationship,” she writes. “I am in love.” By August 2018, her backyard “has become a menagerie of fledglings…all learning to fly.” Day by day, she has continued to learn more about the birds, their activities, and how she should relate to them; she also admits mistakes when they occur. In December 2018, she was excited to observe a Townsend’s Warbler—“Omigod! It’s looking at me. Displeased expression.” Battling pesky squirrels, Tan deployed Hot Pepper Suet to keep them away, and she deterred crows by hanging a fake one upside down. The author also declared war on outdoor cats when she learned they kill more than 1 billion birds per year. In May 2019, she notes that she spends $250 per month on beetle larvae. In June 2019, she confesses “spending more hours a day staring at birds than writing. How can I not?” Her last entry, on December 15, 2022, celebrates when an eating bird pauses, “looks and acknowledges I am there.”
An ebullient nature lover’s paean to birds.Pub Date: April 23, 2024
ISBN: 9780593536131
Page Count: 320
Publisher: Knopf
Review Posted Online: Jan. 19, 2024
Kirkus Reviews Issue: Feb. 15, 2024
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
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