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MONSTERS IN MY MIND

A tale with an intriguing setup that doesn’t fulfill its promise.

A group of people must contend with their inner demons as they navigate trauma in Oliveri’s novel.

Oliveri’s story, told through multiple characters’ perspectives, focuses on their negative inner voices: the “monsters” that fill them with self-doubt, prey on their insecurities, or convince them to act poorly—and effectively turn them into the worst possible versions of themselves. Michael Conifer is the new kid in a suburban Colorado high school; he’s a bit nerdy, and he’s at war with an inner monster named Beel, who makes him believe that he has little value as a person. Michael has a crush on Rachel Kalopoulos, a girl who spends most of her time smoking cannabis and avoiding her father, John, a wealthy cannabis grower and seller; he’s in talks to work with Lorne Conifer, Michael’s father, who’s running for mayor. Lorne is portrayed as a truly vile person whose inner voice, Carmen, gives him permission to be absolutely awful to everyone, particularly his wife, Michelle. What Lorne doesn’t know, however, is that Michelle’s unnamed inner voice has been making plans to kill him. The conflicts all come to a head after Michael tries to smoke cannabis for the first time with Rachel. When Lorne learns that his son has tried drugs, he flies into a violent rage. Later, while Michael is at the Greenwood Center—a rehabilitation facility where he was sent as a punishment—Michelle calls him to tell him some shocking, life-altering news, which later yields other surprising plot developments.

Oliveri’s tale is an ambitious one, making a bold attempt to present an examination of how inner voices can cause people to go down harmful paths. Although the overall premise of the novel is compelling, the author’s execution works against it. The inclusion of multiple characters’ points of view highlights the many different ways that inner voices can affect people, but having so many disparate perspectives makes the work feel cluttered; for example, Ms. Shelgren, Michael’s math teacher, doesn’t have a compelling arc and does little to serve or progress the story. Also, because each of the main players is essentially dealing with a similar issue—a negative and ultimately unhelpful force that keeps them from being kind, moral, or brave—the prose inevitably begins to feel repetitive. Oliveri’s plot is strongest when it emphasizes the characters’ emotional states, as in its portrayal of Rachel’s strained relationship with her father or Michael’s examination of his own trauma: “They were permacuts—paper-thin incisions that I felt deeply every time he [Lorne] ignored me, traded me in, left me out.” Yet even in these moments, useful exposition is often set aside in favor of quips from inner voices. Though the chapters from the perspective of “the monster” are meant to be menacing—particularly when the all-knowing being addresses the reader directly—they often come off as overwrought and repetitive. Oliveri’s story is certainly enthusiastic in its telling. However, it could have used some fine-tuning to make it more consistently engaging.

A tale with an intriguing setup that doesn’t fulfill its promise.

Pub Date: March 1, 2023

ISBN: 9781088108420

Page Count: 380

Publisher: Self

Review Posted Online: May 1, 2023

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IT STARTS WITH US

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

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The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.

Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

Pub Date: Oct. 18, 2022

ISBN: 978-1-668-00122-6

Page Count: 352

Publisher: Atria

Review Posted Online: July 26, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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