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I FOUND MY FRIENDS

THE ORAL HISTORY OF NIRVANA

Besides appealing to fans, the book ably captures the lost milieu of independent rock, which Nirvana’s moment irretrievably...

You-are-there narrative of Nirvana’s rise, focused on the trio’s comrades at the dawn of Alternative Nation.

Soulsby (Dark Slivers: Seeing Nirvana in the Shards of Incesticide, 2012) builds his second book concerning Nirvana’s brief run and long shadow through the recollections of Nirvana’s fellow musicians, most (though not all) of whom remained obscure. This is in line with the most positive aspect of how Nirvana’s success transformed the regional American musical underground: "Nirvana never felt it was above the many bands they befriended; they always felt they were part of the community who tell this tale rather than of the celebrity world they joined.” Formed four years prior to 1991’s chart-topping “Nevermind,” the band’s core was the fragile, artistic Kurt Cobain and the less-enigmatic rocker Krist Novoselic. Benefitting from the communal, low-budget vibe in the Pacific Northwest music scene, their nascent band quickly evolved into an efficient, hard-driven touring machine, alongside other avatars of grunge like Tad and Mudhoney. As one musician observed, early Nirvana was “definitely still grunge but with better venues comes better sound and all things better.” Naturally, Cobain’s spirit hangs over the storytelling; he’s remembered as withdrawn and clearly overwhelmed by health issues and controlled substances but also for kindness and humor. In an improbable moment, as they were taken under Sonic Youth’s wing and added powerhouse drummer Dave Grohl, all the elements aligned for a major cultural shift. As “Nevermind” broke big, the band “brought the communal spirit of the underground to whatever strange land was opening up for them,” engaging social causes and booking confrontational bands as opening acts. As Soulsby notes, “Nirvana saw fame as valuable only if it stood for something.” Yet the rockers’ reflections become increasingly poignant as the band’s denouement approaches.

Besides appealing to fans, the book ably captures the lost milieu of independent rock, which Nirvana’s moment irretrievably transformed.

Pub Date: March 31, 2015

ISBN: 978-1-250-06152-2

Page Count: 368

Publisher: St. Martin's Griffin

Review Posted Online: Jan. 3, 2015

Kirkus Reviews Issue: Jan. 15, 2015

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THE PURSUIT OF HAPPYNESS

FROM MEAN STREETS TO WALL STREET

Well-told and admonitory.

Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.

Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.

Well-told and admonitory.

Pub Date: June 1, 2006

ISBN: 0-06-074486-3

Page Count: 320

Publisher: Amistad/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2006

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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