Two paws up.
It’s tough to resist a good story that features four-legged creatures, which highlight this surprisingly upbeat tale about a son who returns home following the death of his long estranged father.
Cyrus Mills isn’t a warm, fuzzy kind of person, and choosing a career as a veterinary pathologist seems a logical choice: He’s following in his late mother’s footsteps, and he gets to work in solitude, which he prefers. When Robert Cobb, Cyrus’ father, dies and bequeaths Bedside Manor for Sick Animals to him, he returns to his former home in a small town in Vermont. Cyrus is eager to sell his inheritance and leave Eden Falls behind. He has few fond memories of his life there, except for the time he spent with his mother, and he needs the money from the sale to fund a legal battle to reinstate his license, which has been temporarily suspended following charges of wrongdoing filed by his former employer. But Cyrus quickly discovers that in addition to being a workaholic and an absentee dad, Dr. Cobb was mired in debt. Unless Cyrus can prove that his father’s heavily mortgaged veterinary clinic is worth a potential buyer’s investment—within the week—he’ll lose the sale, and it appears that a sinister banker and an anonymous blackmailer might be rooting against him. With a light touch and conversational tone, Trout (Ever by My Side, 2011, etc.) delivers a doggone charming tale. Rather than dispensing an overload of schmaltz, which is difficult to avoid in a feel-good story that introduces a magnitude of furry friends and their often eccentric owners, the author manages to successfully pull off a straightforward, energizing story with a message that doesn’t choke on its own sweetness. Cyrus, of course, transforms during the week as he’s forced to interact with each character, revisit his past and contemplate his future. He becomes an excellent healer, and with the help of a group of caring individuals, including a gentle mentor, an attractive waitress, a gruff receptionist and all of his four-legged friends, he also becomes one of the healed.
Two paws up.Pub Date: Feb. 12, 2013
ISBN: 978-1-4013-1088-2
Page Count: 256
Publisher: Hyperion
Review Posted Online: Jan. 2, 2013
Kirkus Reviews Issue: Jan. 15, 2013
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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