by Nick Turse ‧ RELEASE DATE: Jan. 8, 2013
The imperfect defense of a controversial perspective on the hell that is war.
An investigative journalist indicts the leadership of the American military for war crimes in Vietnam.
Turse (The Complex: How the Military Invades Our Everyday Lives, 2008, etc.) has a reputation for rooting out perceived misdeeds on the part of the U.S. government and has plied his trade investigating drone strikes, arms sales and operations by Special Forces. Here, the author attempts to fold more than a decade of research about the Vietnam War into a not-so-neat package, with mixed results. His thesis is that incidents like the shameful My Lai massacre were not isolated anomalies, but rather the inevitable result of a systemized, operational directive to slaughter the population of Vietnam. In reconstructing the 1967 blood bath at Trieu Ai, Turse finds common elements. “Here was the repeated aerial bombing and artillery fire, pounding the rural population on an almost daily basis and forcing them into underground bunkers,” he writes. “Here was the deliberate burning of peasant homes and the relocation of villagers to refugee camps, where their movements were strictly controlled by the government. And here, too, was the inevitable outcome of the soldiers’ training: all the endless chants of ‘kill, kill, kill,’ the dehumanization of the ‘dinks, gooks, slopes, slants,’ and the constant insistence that even women and small children were to be regarded as potential enemies.” Turse’s research is thorough enough to warrant more than 80 pages of notes, but his assembly of the data available has a manipulative sheen to it. The book also treads a lot of previously covered ground, like the 1969 “Operation Speedy Express,” during which the military claimed more than 10,000 enemy combatants dead but recovered less than 800 weapons—an incident that drew fire as early as 1972. Relying heavily on declassified documents and interviews with survivors, the book reads more like the extension of a predisposed agenda than straight-up journalism.
The imperfect defense of a controversial perspective on the hell that is war.Pub Date: Jan. 8, 2013
ISBN: 978-0-8050-8691-1
Page Count: 384
Publisher: Metropolitan/Henry Holt
Review Posted Online: Oct. 21, 2012
Kirkus Reviews Issue: Nov. 15, 2012
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
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