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ELLIS RIVER

An earnest and poignant bildungsroman.

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A young woman leaves home in search of her family during the Civil War in Ehrlich’s debut historical novel.

In 1865, 15-year-old Ellis Cady lives alone in her Western Tennessee home. Her father and Walter, one of her brothers, left two years prior to sell some horses but haven’t returned. Her twin brother, Earl, left shortly afterward to look for them, and then Ellis’ mother died. One day, Ellis makes the decision to leave home with a few belongings and her beloved horse, Billie. She first stops at her friend’s house, only to find it abandoned, before making her way down a trail where she discovers her brother Earl, who has sad news but doesn’t know where their father is. The two get caught up in a Civil War battle, during which Ellis is grazed by a bullet. She awakens in the care of Libby, a Cherokee woman who’s riding with a diverse group of men. Later, after stopping in Jamestown, Missouri, she finds her uncle’s ranch, where she learns more about her family and becomes more determined to locate her father, certain that he’s still alive. Ehrlich’s prose is accessible and spare and particularly skillful at describing the harsh reality of war and its battlegrounds: “Fragments of bone and skull escaped earth’s hollow grasp….A large ribcage, still covered by thin hide. Another and another.” The story simultaneously highlights the loneliness and camaraderie that can be found during wartime. Additionally, Ellis’ coming-of-age adds a personal layer to the battle-laden background, as when she spies Libby making love with her husband and encounters previously unknown feelings. Although the story is earnest and often compelling, there are a lot of scenes of Ellis simply wandering and riding from place to place, which may not interest readers who prefer more action. Still, Ehrlich’s story of a girl surrounded by loss and death as she searches for her family is engaging and makes for a quick, heartfelt read.

An earnest and poignant bildungsroman.

Pub Date: Sept. 12, 2022

ISBN: 9798985997408

Page Count: 255

Publisher: Bay Feather Books

Review Posted Online: Sept. 19, 2022

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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IT STARTS WITH US

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

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The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.

Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

Pub Date: Oct. 18, 2022

ISBN: 978-1-668-00122-6

Page Count: 352

Publisher: Atria

Review Posted Online: July 26, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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