Original but disappointing.
A narrative of disability and its consequences.
An author of science fiction, thrillers, and historical fiction, Griffith (Hild, 2013, etc.) defies easy categorization. So does her latest novel. It has some of the elements of crime fiction, but its shape does not conform to the genre’s norms. Romantic relationships play a significant role in the plot, but this is certainly not a romance novel. This is, more than anything, a story about disability and how it shapes—and reshapes—people’s lives. The narrative begins with Mara Tagarelli’s longtime partner, Rose, leaving her for another woman. When Mara turns to Aiyana, one of her oldest friends, for comfort, their relationship turns sexual. But Aiyana’s job is taking her to New Zealand, so Mara is alone when she discovers that she has multiple sclerosis. As both the illness and the side effects of drug therapy take their toll, Mara is forced to step down as executive director of a multimillion-dollar AIDS organization. Her experience in that space gives her tools for advocating for herself and other people with MS, but her failing body challenges Mara’s sense of herself. She’s used to being strong and self-reliant, and now she is weak and dependent. She doubts that anyone can really want her. She is prickly about Rose’s offers of help, and she assumes that Aiyana has lost interest. Then MS sufferers on a mailing list Mara has compiled become the victims of violence, and she suspects that the perpetrators might be working their way toward her. There are plenty of compelling themes here, and this might have been an excellent novel if it had been half again as long. But everything feels rushed. Mara’s reaction to her disease is raw and honest, but readers only see her as caustic and difficult. Unpleasant protagonists can be compelling, of course, but, here, it’s easier to understand why Rose and Aiyana would ditch Mara than to understand why they stick with her. And the element of mystery is introduced late and resolved before it generates any real tension.
Original but disappointing.Pub Date: May 15, 2018
ISBN: 978-0-374-26592-2
Page Count: 192
Publisher: MCD/Farrar, Straus and Giroux
Review Posted Online: April 2, 2018
Kirkus Reviews Issue: April 15, 2018
Absolutely enthralling. Read it.
A young Irish couple gets together, splits up, gets together, splits up—sorry, can't tell you how it ends!
Irish writer Rooney has made a trans-Atlantic splash since publishing her first novel, Conversations With Friends, in 2017. Her second has already won the Costa Novel Award, among other honors, since it was published in Ireland and Britain last year. In outline it's a simple story, but Rooney tells it with bravura intelligence, wit, and delicacy. Connell Waldron and Marianne Sheridan are classmates in the small Irish town of Carricklea, where his mother works for her family as a cleaner. It's 2011, after the financial crisis, which hovers around the edges of the book like a ghost. Connell is popular in school, good at soccer, and nice; Marianne is strange and friendless. They're the smartest kids in their class, and they forge an intimacy when Connell picks his mother up from Marianne's house. Soon they're having sex, but Connell doesn't want anyone to know and Marianne doesn't mind; either she really doesn't care, or it's all she thinks she deserves. Or both. Though one time when she's forced into a social situation with some of their classmates, she briefly fantasizes about what would happen if she revealed their connection: "How much terrifying and bewildering status would accrue to her in this one moment, how destabilising it would be, how destructive." When they both move to Dublin for Trinity College, their positions are swapped: Marianne now seems electric and in-demand while Connell feels adrift in this unfamiliar environment. Rooney's genius lies in her ability to track her characters' subtle shifts in power, both within themselves and in relation to each other, and the ways they do and don't know each other; they both feel most like themselves when they're together, but they still have disastrous failures of communication. "Sorry about last night," Marianne says to Connell in February 2012. Then Rooney elaborates: "She tries to pronounce this in a way that communicates several things: apology, painful embarrassment, some additional pained embarrassment that serves to ironise and dilute the painful kind, a sense that she knows she will be forgiven or is already, a desire not to 'make a big deal.' " Then: "Forget about it, he says." Rooney precisely articulates everything that's going on below the surface; there's humor and insight here as well as the pleasure of getting to know two prickly, complicated people as they try to figure out who they are and who they want to become.
Absolutely enthralling. Read it.Pub Date: April 16, 2019
ISBN: 978-1-984-82217-8
Page Count: 288
Publisher: Hogarth
Review Posted Online: Feb. 17, 2019
Kirkus Reviews Issue: March 1, 2019
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BOOK TO SCREEN
"This soil," concludes the young narrator of this quiet chronicle of garrotted innocence, "is bad for all kinds of flowers. Certain seeds it will not nurture, certain fruit it will not bear." And among the exclusions of white rural Ohio, echoed by black respectability, is ugly, black, loveless, twelve-year-old Pecola. But in a world where blue-eyed gifts are clucked over and admired, and the Pecolas are simply not seen, there is always the possibility of the dream and wish—for blue eyes. Born of a mother who adjusted her life to the clarity and serenity of white households and "acquired virtues that were easy to maintain" and a father, Cholly, stunted by early rejections and humiliations, Pecola just might have been loved—for in raping his daughter Cholly did at least touch her. But "Love is never better than the lover," and with the death of her baby, the child herself, accepting absolutely the gift of blue eyes from a faith healer (whose perverse interest in little girls does not preclude understanding), inches over into madness. A skillful understated tribute to the fall of a sparrow for whose small tragedy there was no watching eye.
Pub Date: Oct. 29, 1970
ISBN: 0375411550
Page Count: -
Publisher: Holt Rinehart & Winston
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: Oct. 1, 1970
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