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THE BOY TOY

A faltering story rescued by an engaging premise.

A 37-year-old Indian Australian woman's assumptions about love and relationships are shaken by a White stuntman 10 years her junior.

Physical therapist Samira Broderick moved from Melbourne to Los Angeles in the aftermath of a painful divorce, needing to get away from her Indian mother’s relentless matchmaking. Almost a decade later, she has returned, leaving her bustling LA practice to work for her cousin’s new health and fitness enterprise. Samira resents her mother's involvement in her failed arranged marriage and dislikes her mother's interference in her currently floundering love life, but she still hopes her return can help heal old wounds. With a plate so full, Samira is not looking for anything permanent when she has a one-night stand with Rory Radcliffe. Rory moves on from partners quickly because he feels the need to hide his stutter—a need that's also forced the talented stuntman to avoid roles requiring him to talk. But when he gets an opportunity to audition as the host of Renegades, a reality show touted as Australia’s “next big thing,” Rory decides to find a dialect coach and make an attempt. Though they had a wonderful night together, Rory decides to forget about Samira and focus on the audition—but his plans are derailed when he discovers that she's his coach. Marsh turns an insightful and sensitive lens on the role of the body in matters of self-image and love. But Samira and Rory are so wrapped up in the caprices of their own hearts, minds, and bodies that there's little room for them to truly discover each other. Marsh tries to sketch a portrait of Indian culture by including references to various food preparations, but she misses the opportunity to comment on the complexities of community ties in the Indian diaspora, where judgmental attitudes can co-exist with support and empathy.

A faltering story rescued by an engaging premise.

Pub Date: Nov. 17, 2020

ISBN: 978-0-593198-62-9

Page Count: 352

Publisher: Berkley

Review Posted Online: Oct. 13, 2020

Kirkus Reviews Issue: Nov. 1, 2020

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DEEP END

A surprisingly sensual sports romance.

A collegiate diver and swimmer secretly pursue kink together, and risk falling in love along the way.

Scarlett Vandermeer is struggling. Despite a successful recovery from the injury that almost ended her Stanford diving career, she hasn’t been able to get her head together, and it’s affecting her performance. Plus, she’s trying to stay focused on getting into medical school. A relationship would be out of the question. By comparison, Lukas Blomqvist is a swimming idol, a record-breaker who wins medals as easily as breathing, and Scarlett has long been convinced he would never look in her direction—until one fateful night when a mutual friend lets slip that they have something unexpected in common: Scarlett likes to be submissive in the bedroom, while Lukas prefers to take a dominant approach. Now, they both know a big secret about each other, and it’s something neither of them can stop thinking about. It’s Lukas who suggests they have a fling—purely physical, just to take the edge off, so Scarlett can get out of her own head and stop overthinking her dives. Initially, their arrangement is easy to stick to, but the more time they spend together, the more Scarlett starts to realize that what she feels for Lukas is more than physical attraction. Complicating the situation is the fact that Scarlett’s friend Penelope Ross used to go out with Lukas, and the longer Scarlett keeps mum about her true feelings for him, the more difficult it is to keep the situation hidden from another person she really cares about. While Scarlett and Lukas’ relationship does begin as a physical one, their deeper psychological connection takes a little too long to emerge amid all the other storylines, resulting in a somewhat rushed resolution. However, Hazelwood’s latest is proof of the depth and maturity that has emerged in her writing over the years, and it highlights her embrace of sexier, more emotional elements than were present in her original STEMinist rom-coms.

A surprisingly sensual sports romance.

Pub Date: Feb. 4, 2025

ISBN: 9780593641057

Page Count: 464

Publisher: Berkley

Review Posted Online: Dec. 28, 2024

Kirkus Reviews Issue: Feb. 1, 2025

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BLOOD MOON

A satisfying crime novel with a side order of romance.

A TV producer and a detective try to stop a strange pattern of young women disappearing.

In “Auclair, Loooziana,” disillusioned detective John Bowie reluctantly meets in a bar with Beth Collins, producer for the true crime show Crisis Point. She needs to interview him about the disastrous case of the missing Crissy Mellin, but he refuses. The teenager disappeared three years ago on the night of a blood moon and hasn’t been found, but a suspect hanged himself in jail after signing a confession. Case closed, says John’s boss. But John is convinced that their prisoner could not have been guilty, and he’s deeply upset at his failure. “The Mellin case messed up your life,” Beth tells him. She persuades John that Crissy’s disappearance is the latest of a series that happen on the night of a blood moon, the colloquial term for a total lunar eclipse. “It’s going to happen again,” she predicts. And wouldn’t you know, another blood moon is coming in four days. Tick, tick, tick. Beth’s boss at Crisis Point insists on airing an update on the case, but Beth knows the show is going to get it wrong, and its reputation will be ruined. Meanwhile, there’s an electric sexual tension between Beth and John that the author toys with nicely—do they, or don’t they? The answer plays out in detail more than once. The characters are fun if easy to pigeonhole: the detective angry at his failure, the honest (and beautiful) outsider eager to do her job but susceptible to love, the hero’s corrupt (to say the least) boss, and the ogre who carries out said boss’s dirtiest deeds. Even John’s dog, Mutt, plays a small but vital role. When John found him, he’d been “a flea-bitten hide wrapped around a skeleton that whimpered.” Little plot devices are easy to spot, like the phone that rings at a crucial moment, or the handgun that John places in Beth’s hand for her protection. Does Chekhov’s guideline apply here? The romantic angle leavens the dark theme, and readers will have plenty of incentives to turn the pages.

A satisfying crime novel with a side order of romance.

Pub Date: March 4, 2025

ISBN: 9781538742983

Page Count: 448

Publisher: Grand Central Publishing

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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