Antón may not always be a sympathetic character, but his quest could resonate with readers struggling to find meaning in...
In Casariego’s witty, thought-provoking novel (translated from Spanish by Bunstead), a man plagued by anxiety attacks resolves to live a full, happy life.
Antón Mallick is a 32-year-old Spaniard in the midst of a deeply personal, existential crisis. On the surface, he seems to have a successful, if unremarkable, life. He has a steady job working with satellites, a large and well-meaning family, and an active social life. However, underneath the surface, Antón suffers from near-debilitating anxiety attacks, his family is highly dysfunctional, and his social life is punctuated by drug use and casual sexual encounters. Antón manages to keep his anxiety in check until a chance encounter at a local store sends him spiraling into a particularly intense attack: While standing in line, he spots a pregnant woman ahead of him buying a set of the Lethal Weapon films. She turns to him and says she’s going to have his baby. Antón’s life is completely transformed by the encounter, which eventually helps set him on a path toward embracing happiness. Armed with books on self-help and philosophy provided by his brother, Zoltan, and sister, Bela, Antón resolves to be happy in life and to look for the mystery woman carrying his child. Casariego succeeds at giving vibrant life to Antón and his world by using a complex, unorthodox narrative structure. Antón’s story is primarily told through journal entries in which he discusses his colorful family history, his desire to be happy, his feelings toward his unborn child, whom he names Dragosi, and his complicated relationships with his siblings. In lengthy sidebars, Antón also critiques the myriad of books given to him by his siblings, and transcripts of Skype conversations offer insights into his connections with his parents. Antón’s life is anything but straightforward, and Bunstead’s lucid translation keeps the narrative clear and cohesive, even when Antón’s life seems to be falling apart.
Antón may not always be a sympathetic character, but his quest could resonate with readers struggling to find meaning in their lives.Pub Date: April 1, 2014
ISBN: 978-8494174483
Page Count: 354
Publisher: Hispabooks
Review Posted Online: May 22, 2014
Kirkus Reviews Issue: June 15, 2014
Review Program: Kirkus Indie
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...
Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.
Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: he’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.Pub Date: Nov. 22, 2016
ISBN: 978-0-451-49344-6
Page Count: 304
Publisher: Knopf
Review Posted Online: Sept. 6, 2016
Kirkus Reviews Issue: Sept. 15, 2016
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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