An eccentric first novel by poet Cooley explores the sometimes creepy, sometimes entrancing link between identical twins. Having just given birth to a stillborn daughter, Alice, a 29-year-old artist, begins reconsidering her own troubled history, urged on in this pursuit when her twin Madeline calls to implore Alice to join her in Sarasota. Alice and her husband Owen agree that a summer away from their home in Atlanta would provide a healthful respite; little do they know that it will also provide Madeline with the foothold she’s been seeking to claim Alice for herself once again. When the two are reunited, the present narrative is overtaken by memories of the past: their great-grandmother Agatha, a twin herself, raises their mother Lily after a car accident has killed her parents. Under Agatha’s tutelage, Lily, a budding ballerina with sights on the New Orleans Ballet, becomes immersed in the world of Judy Garland; Agatha and Lily share facts of the singer’s tragic life as others would a love bond. When Lily becomes pregnant, she hopes that “Agatha’s trick”—drinking vinegar and then vomiting—will leave her trim enough to keep on dancing—but her twin daughters are born despite the abuse. Moreover, Agatha abandons Lily for good. Raising Alice and Madeline in a cheap highway motel where she works as a maid, Lily slips into a deranged behavior typical of the traditions of their small family. She teaches her daughters “Agatha’s trick,” tutors them in the life of Judy Garland, takes them on midnight drives around her old haunts, then deserts them before their 18th birthday. Later, when Alice and Madeline meet in Sarasota, it’s obvious to Alice that her sister’s mental condition has deteriorated even further than their mother’s did: she dresses in costumes and wants to go play in an imaginary Emerald City. A quirky and appealing novel as Cooley builds a riveting story around the sometimes dangerous bonds of family.
Pub Date: Sept. 1, 1998
ISBN: 0-06-039251-7
Page Count: 320
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1998
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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