An entertaining whodunit with a captivating amateur sleuth.
Music and murder lead a 35-year-old doctoral aspirant through a midlife crisis in this mystery series opener.
Larkin Day has left Los Angeles, broke and discouraged, and taken up “temporary” residence in her mother’s guest room in Pratincola, Iowa, a small town outside Cedar Rapids. Floundering in her attempt to finish her dissertation on Chekhov, and unable to secure a job in her chosen field of theater—or any position that will pay her bills—she is taking a break to reevaluate her life. Her mom, Dr. Josephine Day, a college dean, thinks she has found just the right thing to combat Larkin’s ennui. Josephine has arranged with choral director Ed Jackson to add Larkin to the local chorus for an upcoming presentation of Beethoven’s Ninth Symphony performed by singers and musicians from the Cedar Rapids to Iowa City corridor (the “Corridorchestra”). Less than impressed with this parental suggestion, Larkin nonetheless finds herself attending that evening’s rehearsal. A week later, at the first rehearsal of the entire “megachoir,” piano accompanist Harrison Tucker does not return after the 10-minute recess. As the rehearsal drones on with alto Anni Morgan filling in for the pianist, Larkin leaves early—and discovers Harrison’s crumpled body lying just outside the stage door. And now Dieker’s novel begins to kick into high gear. Beethoven’s Ninth is the ever present musical backdrop to the mystery and is the focus of an engaging—albeit overly detailed—tutorial on the subtle intricacies of the composer’s lengthiest piece, which builds meticulously to its famous “Ode to Joy” conclusion. Larkin, who trained as a theatrical director, views everything through that unique perspective. Despite her millennial angst, she is an amusing and edgy observer of body language as well as the minutiae of rehearsal procedures (“Ben the baritone was the first to sing, Beethoven’s familiar melody filling the auditorium as the megachoir echoed his claim that Freud should get funky, or whatever Freude, schöner Götterfunken meant”). Together with Anni, an intriguing, socially awkward counterbalance to her own more combative nature, Larkin begins to investigate Harrison’s death, convinced he was murdered. Well-scripted dialogue, engaging banter, and a diverse cast keep the light mystery moving at a good clip.
An entertaining whodunit with a captivating amateur sleuth.Pub Date: Oct. 4, 2022
ISBN: 978-1-73369-195-6
Page Count: 240
Publisher: Shortwave Media
Review Posted Online: Aug. 12, 2022
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
As usual, Evanovich handles the funny stuff better (much better) than the mystery stuff.
Stephanie Plum’s 31st adventure shows that Trenton’s preeminent fugitive-apprehension agent still has plenty of tricks up her sleeve, and needs every one of them.
The current caseload for Stephanie and Lula—the ex-prostitute file clerk at her cousin Vincent Plum’s bail bonds company, who serves as her unflappable sidekick—begins with two “failures to appear.” Eugene Fleck is suspected of being Robin Hoodie, who robs from the rich and, yes, distributes the proceeds to the poor. Racketeer Bruno Jug, who’s missed his court date on charges of tax evasion, is also suspected of drugging and raping a 14-year-old. But neither of these fugitives can hold a candle to Zoran Djordjevic, aka Fang, a self-proclaimed vampire wanted in connection with the gruesome fate of his late wife and three other missing women. As usual, Stephanie’s personal life is just as helter-skelter as her professional life as a bounty hunter. She’s managed to get herself engaged both to Det. Joe Morelli, of the Trenton PD, and Ranger, a former Special Forces agent who runs a private security firm; she thinks she may be pregnant; and she’s willing to marry the father, whichever of her fiances that turns out to be. On top of it all, her nothingburger schoolmate Herbert Slovinski suddenly pops up at one of the funerals she ferries her Grandma Mazur to, hitting on her relentlessly and gilding his importunities by cleaning and painting her shabby apartment and laying new carpet. Luckily, Lula’s on hand to offer cupcakes that stave off the worst disasters, and whenever this hodgepodge threatens to slow down, another FTA appears, or fails to appear.
As usual, Evanovich handles the funny stuff better (much better) than the mystery stuff.Pub Date: Nov. 5, 2024
ISBN: 9781668003138
Page Count: 320
Publisher: Atria
Review Posted Online: Oct. 26, 2024
Kirkus Reviews Issue: Dec. 1, 2024
Fast-moving excitement with a satisfying finish.
The feds must protect an accused criminal and an orphaned girl.
Maybe you’ve met him before as protagonist of The 6:20 Man (2022): Ex-Army Ranger Travis Devine, who’d had the dubious fortune to tangle with “the girl on the train,” is now assigned by his homeland security boss to protect Danny Glass, who's awaiting trial on multiple RICO charges in Washington state. Devine has what it takes: He “was a closer, snooper, fixer, investigator,” and, when necessary, a killer. These skills are on full display as the deaths of three key witnesses grind justice to a temporary halt. Glass has a 12-year-old niece, Betsy Odom, and each is the other’s only living relative—her parents recently died of an apparent drug overdose. The FBI has temporary guardianship of Betsy, who's a handful. She tells Travis that though she’s not yet 13, she's 28 in “life-shit years.” The financially well-heeled Glass wants to be her legal guardian with an eye to eventual adoption, but what are his real motives? And what happens to her if he's convicted? Meanwhile, Betsy insists that her parents never touched drugs, and she begs Travis to find out how they really died. This becomes part of a mission that oozes danger. The small town of Ricketts has a woman mayor who’s full of charm on the surface, but deeply corrupt and deadly when crossed. She may be linked to a subversive group called "12/24/65," as in 1865, when the Ku Klux Klan beast was born. Blood flows, bombs explode, and people perish, both good guys and not-so-good guys. Readers might ponder why in fiction as well as in life, it sometimes seems necessary for many to die so one may live. And what about the girl on the train? She's not necessary to the plot, but she's a fun addition as she pops in and out of the pages, occasionally leaving notes for Travis. Maybe she still wants him dead.
Fast-moving excitement with a satisfying finish.Pub Date: Nov. 12, 2024
ISBN: 9781538757901
Page Count: 432
Publisher: Grand Central Publishing
Review Posted Online: Sept. 14, 2024
Kirkus Reviews Issue: Oct. 15, 2024
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