ODE TO MURDER

Music and murder lead a 35-year-old doctoral aspirant through a midlife crisis in this mystery series opener.

Larkin Day has left Los Angeles, broke and discouraged, and taken up “temporary” residence in her mother’s guest room in Pratincola, Iowa, a small town outside Cedar Rapids. Floundering in her attempt to finish her dissertation on Chekhov, and unable to secure a job in her chosen field of theater—or any position that will pay her bills—she is taking a break to reevaluate her life. Her mom, Dr. Josephine Day, a college dean, thinks she has found just the right thing to combat Larkin’s ennui. Josephine has arranged with choral director Ed Jackson to add Larkin to the local chorus for an upcoming presentation of Beethoven’s Ninth Symphony performed by singers and musicians from the Cedar Rapids to Iowa City corridor (the “Corridorchestra”). Less than impressed with this parental suggestion, Larkin nonetheless finds herself attending that evening’s rehearsal. A week later, at the first rehearsal of the entire “megachoir,” piano accompanist Harrison Tucker does not return after the 10-minute recess. As the rehearsal drones on with alto Anni Morgan filling in for the pianist, Larkin leaves early—and discovers Harrison’s crumpled body lying just outside the stage door. And now Dieker’s novel begins to kick into high gear. Beethoven’s Ninth is the ever present musical backdrop to the mystery and is the focus of an engaging—albeit overly detailed—tutorial on the subtle intricacies of the composer’s lengthiest piece, which builds meticulously to its famous “Ode to Joy” conclusion. Larkin, who trained as a theatrical director, views everything through that unique perspective. Despite her millennial angst, she is an amusing and edgy observer of body language as well as the minutiae of rehearsal procedures (“Ben the baritone was the first to sing, Beethoven’s familiar melody filling the auditorium as the megachoir echoed his claim that Freud should get funky, or whatever Freude, schöner Götterfunken meant”). Together with Anni, an intriguing, socially awkward counterbalance to her own more combative nature, Larkin begins to investigate Harrison’s death, convinced he was murdered. Well-scripted dialogue, engaging banter, and a diverse cast keep the light mystery moving at a good clip.

An entertaining whodunit with a captivating amateur sleuth.