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SHAKESPEARE IN THE PARK WITH MURDER

A LARKIN DAY MYSTERY

An engaging, sophisticated, and wide-ranging whodunit.

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In this third installment of a mystery series, two actors associated with a stage production of Romeo and Juliet die, and an interim artistic director must solve the murders before opening night.

Larkin Day has already solved two homicides in novels by Dieker. Now, Larkin is the interim artistic director of the Summer Shakespeare Festival under the aegis of Howell College in Iowa. The former festival director and the previous Juliet were sacked for having an adulterous affair. The ex-director’s daughter, Rebecca Morris, has been given the job of assistant props master as a kind of legacy privilege. Because she is a minor, a big deal is made of her having to be chaperoned at all times. Soon, Tyler Mackintosh, the production’s Romeo, is found dead, having drunk from a cyanide-spiked potion flask. Was it meant for the actor playing Juliet? Later, the festival’s original Juliet—the disgraced one—is found stabbed, but she was actually poisoned beforehand. Then there is the matter of real daggers versus fake ones, assorted potion bottles, and lots of prop switching, either accidental or intentional. And along the way, there are various romances, jealousies, and red herrings. Dieker is a master of obfuscation. The enjoyable story raises a host of tantalizing questions. Whodunit and why? And will the show go on? The author is a versatile writer with many interests, including financial planning and personal development, which she weaves into the book. For example, readers observe Larkin always pursuing her elusive best self. (The protagonist’s best friend, freelance writer Anni Morgan, seems to be Dieker’s avatar.) The author can skillfully turn a phrase, as when a well-to-do character comes out with a “tinkly, wealthy laugh” to mask her careless irresponsibility. Another plus is that readers get a close reading of Shakespeare and a look at the many ambiguities and subtleties in Romeo and Juliet that an artistic director must deal with. Dieker appears delightfully curious about virtually everything, and the audience profits from that. There is even a short story appended as a kind of lagniappe. But the intriguing mind games that are played throughout the novel may be a bit too subtle for some readers.

An engaging, sophisticated, and wide-ranging whodunit.

Pub Date: June 27, 2023

ISBN: 9781959565130

Page Count: 260

Publisher: Shortwave Media

Review Posted Online: July 5, 2023

Kirkus Reviews Issue: Sept. 15, 2023

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DEAR DEBBIE

Gleefully sadistic, gloriously gratifying revenge fiction.

A frustrated advice columnist takes matters into her own hands.

Before dropping out of MIT during the second semester of her sophomore year, Debbie Mullen had designs on becoming the next Bill Gates. Now, almost 30 years later, the stay-at-home wife and mother of two uses her considerable genius to keep the Mullens’ Hingham, Massachusetts, household functioning “like a well-oiled machine.” In her spare time, Debbie also gardens and shares “the fruits of [her] wisdom” with neighbors via the weekly advice column she writes for Hingham Household, a local “family-oriented” newspaper. Though Debbie is proud of her husband and teen daughters’ accomplishments, her own life sometimes feels a bit empty. As such, she’s both honored and excited when Home Gardening magazine selects her backyard to feature in their next issue. Then, at the last minute, the publication decides to go in a different direction and instead spotlights the roses of her arch rival. Later that day, the editor-in-chief of Hingham Household axes her column because she’d counseled a reader to get a divorce. That evening, Debbie learns that her hard-working husband’s miserly boss refused his promotion request, her brilliant older daughter’s sketchy boyfriend broke her heart, and her athletically gifted younger daughter’s chauvinistic coach cut her from the soccer team for being “chubby.” Enough is enough. Debbie has always given great advice—everybody says so. If certain individuals don’t know what’s best for themselves, maybe it’s her obligation to help them see the light. Increasingly unhinged entries from a “Dear Debbie” drafts folder pepper the briskly paced, meticulously crafted tale, which unfolds courtesy of a pinwheeling first-person narrative. Some of the plot’s myriad twists are more impressive than others, but plucky, puckish Debbie is a nontraditional antihero for the ages.

Gleefully sadistic, gloriously gratifying revenge fiction.

Pub Date: Jan. 27, 2026

ISBN: 9781464249624

Page Count: 336

Publisher: Poisoned Pen

Review Posted Online: Dec. 10, 2025

Kirkus Reviews Issue: Jan. 15, 2026

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  • New York Times Bestseller

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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  • New York Times Bestseller

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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