Nervy, audacious stories in which women finally get to speak their minds.
If gender is a performance, then the Irish women in Flattery's disarming debut collection veer wildly off script.
In "Not the End Yet," a hilarious look at dating at the end of the world, middle-aged Angela commits one faux pas after another: She admits that she dates all the time, loves superficial connections, and, worst of all, doesn't judge the men who claim they could pursue much younger women: "It's a grand historical tradition," she remarks. The young woman in "Parrot" who falls in love with an older man and tries to parent his son is paralyzed by the cliché she's become. Two college students in "Abortion, A Love Story" stage a play of the same title in which they raucously refuse to perform the self-loathing and penitence expected of women who make certain choices. Plot is not the engine here. Instead, Flattery's prose—absurd, painfully funny, and bracingly original—slingshots the stories forward. These female characters never say what you're expecting, and their insights are always incisive. As the teenage narrator of "Sweet Talk" gets a ride home from an older man whom she likes, for example, she imagines different pamphlets designed to keep girls safe, including "the greatest pamphlet never written: a warning of the romantic danger of being left alone in a car with someone you're attracted to." Though Flattery's characters are often recovering from bad boyfriends, abuse, and even prostitution, they maintain self-deprecating resilience: "Usually when he was halfway through hitting me," the narrator of "Show Them a Good Time" explains about her ex-boyfriend, "it would occur to him just how obvious he was. Then he would curl up, say sorry, baby....Baby this, baby that...It was possible that this person who owned me didn't even know my name."
Nervy, audacious stories in which women finally get to speak their minds.Pub Date: Jan. 28, 2020
ISBN: 978-1-63557-429-6
Page Count: 256
Publisher: Bloomsbury
Review Posted Online: Oct. 26, 2019
Kirkus Reviews Issue: Nov. 15, 2019
BOOK REVIEW
It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.
Pub Date: March 28, 1990
ISBN: 0618706410
Page Count: 256
Publisher: Houghton Mifflin
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: Feb. 15, 1990
SEEN & HEARD
IN THE NEWS
SEEN & HEARD
A newcomer to watch: fresh, funny, and tough.
Seven stories, including a couple of prizewinners, from an exuberantly talented young Thai-American writer.
In the poignant title story, a young man accompanies his mother to Kok Lukmak, the last in the chain of Andaman Islands—where the two can behave like “farangs,” or foreigners, for once. It’s his last summer before college, her last before losing her eyesight. As he adjusts to his unsentimental mother’s acceptance of her fate, they make tentative steps toward the future. “Farangs,” included in Best New American Voices 2005 (p. 711), is about a flirtation between a Thai teenager who keeps a pet pig named Clint Eastwood and an American girl who wanders around in a bikini. His mother, who runs a motel after having been deserted by the boy’s American father, warns him about “bonking” one of the guests. “Draft Day” concerns a relieved but guilty young man whose father has bribed him out of the draft, and in “Don’t Let Me Die in This Place,” a bitter grandfather has moved from the States to Bangkok to live with his son, his Thai daughter-in-law, and two grandchildren. The grandfather’s grudging adjustment to the move and to his loss of autonomy (from a stroke) is accelerated by a visit to a carnival, where he urges the whole family into a game of bumper cars. The longest story, “Cockfighter,” is an astonishing coming-of-ager about feisty Ladda, 15, who watches as her father, once the best cockfighter in town, loses his status, money, and dignity to Little Jui, 16, a meth addict whose father is the local crime boss. Even Ladda is in danger, as Little Jui’s bodyguards try to abduct her. Her mother tells Ladda a family secret about her father’s failure of courage in fighting Big Jui to save his own sister’s honor. By the time Little Jui has had her father beaten and his ear cut off, Ladda has begun to realize how she must fend for herself.
A newcomer to watch: fresh, funny, and tough.Pub Date: Jan. 1, 2005
ISBN: 0-8021-1788-0
Page Count: 224
Publisher: Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2004
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